Do Re MiC D E

Windows

Chick Corea(1966)3/4waltz
A♯Maj7♭5
F♯Maj7♭5
D♯m7/D
A♯Maj7♭5
Gm7/B
Em7♭5/A♭
A7♯9/G
A7♯9♯5
Dm7/G♭
G7/F
A♯Maj7♭5
F♯Maj7♭5

Chord Diagrams — Windows in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯Maj7♭5
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
F♯Maj7♭5
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Dm7♭5
3frEADGBE11x342
EADGBE111xx
5frEADGBEx1324x
8frEADGBEx1432
G7
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
D♯m7/D
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
A♯Maj7
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
Gm7/B
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Em7♭5
EADGBE33312
7frEADGBEx1324x
8frEADGBE11xx24
11frEADGBE2x341x
Em7♭5/A♭
EADGBE33312
7frEADGBEx1324x
8frEADGBE11xx24
11frEADGBE2x341x
A7♯9/G
5frEADGBE114432
6frEADGBExx2134
8frEADGBEx4213
11frEADGBEx2134x
A7♯9♯5
A - C♯ - F - G - C
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
Dm7/G♭
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
G7/F
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134

Explore More

Windows in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A (descending half step), A to G (descending whole step), G to F# (descending half step), F# to F (descending half step), F to D (descending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to D (descending half step), D to D# (ascending half step), D# to A# (descending perfect fourth), A# to G (descending minor third), G to E (descending minor third), E to E (ascending unison), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to A# by minor third.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz3/4 · 52 bars · Form: A

Chords: A♯Maj7♭5, Am7, Gm7, F♯Maj7♭5, Fm7, Dm7♭5, G7, Cm7, D♯m7/D, D7, D♯7, A♯Maj7, Gm7/B, Em7♭5, Em7♭5/A♭, A7♯9/G, A7♯9♯5, Dm7, Dm7/G♭, G7/F.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#