Do Re MiC D E

Windows

Chick Corea(1966)3/4waltz
DMaj7♭5
A♯Maj7♭5
Gm7/D
DMaj7♭5
Bm7/B
G♯m7♭5/A♭
C♯7♯9/G
C♯7♯9♯5
F♯m7/G♭
B7/F
DMaj7♭5
A♯Maj7♭5

Chord Diagrams — Windows in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
DMaj7♭5
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
A♯Maj7♭5
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
F♯m7♭5
4frEADGBE222xx1
EADGBE2341
9frEADGBEx1324x
10frEADGBE11xx24
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Gm7/D
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
DMaj7
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
Bm7/B
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
G♯m7♭5
EADGBExx13
EADGBE2x341x
6frEADGBE222xx1
11frEADGBEx1324x
G♯m7♭5/A♭
EADGBExx13
EADGBE2x341x
6frEADGBE222xx1
11frEADGBEx1324x
C♯7♯9/G
EADGBEx3241
3frEADGBEx2134x
8frEADGBE2222x1
9frEADGBE111324
C♯7♯9♯5
C♯ - F - A - B - E
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
F♯m7/G♭
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
B7/F
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132

Explore More

Windows in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D to C# (descending half step), C# to B (descending whole step), B to A# (descending half step), A# to A (descending half step), A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to G (ascending minor third), G to F# (descending half step), F# to G (ascending half step), G to D (descending perfect fourth), D to B (descending minor third), B to G# (descending minor third), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to D by minor third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz3/4 · 52 bars · Form: A

Chords: DMaj7♭5, C♯m7, Bm7, A♯Maj7♭5, Am7, F♯m7♭5, B7, Em7, Gm7/D, F♯7, G7, DMaj7, Bm7/B, G♯m7♭5, G♯m7♭5/A♭, C♯7♯9/G, C♯7♯9♯5, F♯m7, F♯m7/G♭, B7/F.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#