Windows in B

Chick Corea(1966)swing
Do Re MiC D E
A
D♯Maj7♭5
BMaj7♭5
G♯m7/C♯
D♯Maj7♭5
Cm7/A♯
Am7♭5/G
D7♯9/F♯
D7♯9♯5
Gm7/F
C7/E
D♯Maj7♭5
BMaj7♭5

Chord Diagrams — Windows in B (Guitar)

Display
FingerNoteDegree
D♯Maj7♭5
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
BMaj7♭5
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
Gm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
G♯m7/C♯
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
D♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
Cm7/A♯
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
Am7♭5
EADGBEx23x
4frEADGBE2x341x5frEADGBE1112347frEADGBE222xx1
Am7♭5/G
EADGBEx23x
4frEADGBE2x341x5frEADGBE1112347frEADGBE222xx1
D7♯9/F♯
4frEADGBEx2134x
7frEADGBE4127frEADGBE111x2310frEADGBE111324
D7♯9♯5
D - F♯ - A♯ - C - F
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
Gm7/F
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
C7/E
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132

Windows in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through D# to D (descending half step), D to C (descending whole step), C to B (descending half step), B to A# (descending half step), A# to G (descending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to G# (ascending minor third), G# to G (descending half step), G to G# (ascending half step), G# to D# (descending perfect fourth), D# to C (descending minor third), C to A (descending minor third), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to D# by minor third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 52 bars · Form: A

Chords: D♯Maj7♭5, Dm7, Cm7, BMaj7♭5, A♯m7, Gm7♭5, C7, Fm7, G♯m7/C♯, G7, G♯7, D♯Maj7, Cm7/A♯, Am7♭5, Am7♭5/G, D7♯9/F♯, D7♯9♯5, Gm7, Gm7/F, C7/E.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B