Windows in D#

Chick Corea(1966)swing
Do Re MiC D E
A
GMaj7♭5
D♯Maj7♭5
Cm7/F
GMaj7♭5
Em7/D
C♯m7♭5/B
F♯7♯9/A♯
F♯7♯9♯5
Bm7/A
E7/G♯
GMaj7♭5
D♯Maj7♭5

Chord Diagrams — Windows in D# (Guitar)

Display
FingerNoteDegree
GMaj7♭5
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
D♯Maj7♭5
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
Cm7/F
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
Em7/D
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
C♯m7♭5/B
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
F♯7♯9/A♯
EADGBE222221
2frEADGBE1113243frEADGBExx21348frEADGBEx2134x
F♯7♯9♯5
F♯ - A♯ - D - E - A
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
Bm7/A
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
E7/G♯
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2

Windows in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G to F# (descending half step), F# to E (descending whole step), E to D# (descending half step), D# to D (descending half step), D to B (descending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to C (ascending minor third), C to B (descending half step), B to C (ascending half step), C to G (descending perfect fourth), G to E (descending minor third), E to C# (descending minor third), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to G by minor third.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 52 bars · Form: A

Chords: GMaj7♭5, F♯m7, Em7, D♯Maj7♭5, Dm7, Bm7♭5, E7, Am7, Cm7/F, B7, C7, GMaj7, Em7/D, C♯m7♭5, C♯m7♭5/B, F♯7♯9/A♯, F♯7♯9♯5, Bm7, Bm7/A, E7/G♯.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#