Do Re MiC D E

Vals rasstavania

Yan Frenkel / K. Vanshenkin(1965)3/4waltz
Fm/G
A♯m/F♯
A♯m6/C
A♯m6/C
%
Fm/D
A♯m/C
%
Fm/B

Chord Diagrams — Vals rasstavania in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Fm
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
Fm/G
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
A♯m/F♯
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
A♯m6/C
6frEADGBE111234
EADGBEx13x24
3frEADGBEx2314x
5frEADGBE2x1334
A♯m
6frEADGBE111134
EADGBE11x342
6frEADGBE111xx3
8frEADGBExx1342
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
Fm/D
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
A♯m/C
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
Fm/B
8frEADGBE111342
EADGBE111134
3frEADGBExx1342
10frEADGBE1142xx

Explore More

Vals rasstavania in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to F (ascending unison), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to A# (ascending unison), A# to C (ascending whole step), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F (ascending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to F by unison.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz3/4 · 42 bars · Form: A

Chords: Fm, Fm/G, A♯m/F♯, A♯m6/C, A♯m, C7, Fm/D, A♯m/C, D♯7, G♯, C♯7, Fm/B.

Scales for Improvisation F bebop minor, F bebop.

Diatonic chords: See all chords in the key of F