Vals rasstavania in F

Yan Frenkel / K. Vanshenkin(1965)swing
Do Re MiC D E
A
Fm/G♯
A♯m/G
A♯m6/C♯
A♯m6/C♯
Fm/D♯
A♯m/C♯
Fm/C

Chord Diagrams — Vals rasstavania in F (Guitar)

Display
FingerNoteDegree
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
Fm/G♯
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
A♯m/G
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
A♯m6/C♯
3frEADGBEx2314x
EADGBEx13x245frEADGBE2222x16frEADGBE111234
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Fm/D♯
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
A♯m/C♯
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Fm/C
8frEADGBE111342
EADGBE1111343frEADGBExx134210frEADGBE1142xx

Vals rasstavania in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to F (ascending unison), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to A# (ascending unison), A# to C (ascending whole step), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F (ascending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to F by unison.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 42 bars · Form: A

Chords: Fm, Fm/G♯, A♯m/G, A♯m6/C♯, A♯m, C7, Fm/D♯, A♯m/C♯, D♯7, G♯, C♯7, Fm/C.

Scales for Improvisation F bebop minor, F bebop.

Diatonic chords: See all chords in the key of F