Do Re MiC D E

Vals rasstavania

Yan Frenkel / K. Vanshenkin(1965)3/4waltz

Chord Diagrams — Vals rasstavania in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Bm/G
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Em/F♯
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
Em6/C
EADGBE11132
EADGBE123
5frEADGBE11x324
8frEADGBExx2314
Em
EADGBE23
2frEADGBE11342
7frEADGBE111342
9frEADGBE4312xx
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
Bm/D
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Em/C
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
Bm/B
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241

Explore More

Vals rasstavania in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to B (ascending unison), B to E (ascending perfect fourth), E to E (ascending unison), E to E (ascending unison), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to B (ascending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz3/4 · 42 bars · Form: A

Chords: Bm, Bm/G, Em/F♯, Em6/C, Em, F♯7, Bm/D, Em/C, A7, D, G7, Bm/B.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B