Vals rasstavania in B

Yan Frenkel / K. Vanshenkin(1965)swing
Do Re MiC D E
A
Bm/D
Em/C♯
Em6/G
Em6/G
Bm/A
Em/G
Bm/F♯

Chord Diagrams — Vals rasstavania in B (Guitar)

Display
FingerNoteDegree
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
Bm/D
10frEADGBExx3241
EADGBE1113427frEADGBE1111349frEADGBExx1342
Em/C♯
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
Em6/G
EADGBE123
EADGBE111325frEADGBE11x3248frEADGBExx2314
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Bm/A
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
Em/G
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Bm/F♯
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241

Vals rasstavania in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to B (ascending unison), B to E (ascending perfect fourth), E to E (ascending unison), E to E (ascending unison), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to B (ascending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 42 bars · Form: A

Chords: Bm, Bm/D, Em/C♯, Em6/G, Em, F♯7, Bm/A, Em/G, A7, D, G7, Bm/F♯.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B