Vals rasstavania in A#

Yan Frenkel / K. Vanshenkin(1965)swing
Do Re MiC D E
A
A♯m/C♯
D♯m/C
D♯m6/F♯
D♯m6/F♯
A♯m/G♯
D♯m/F♯
A♯m/F

Chord Diagrams — Vals rasstavania in A# (Guitar)

Display
FingerNoteDegree
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
A♯m/C♯
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
D♯m/C
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
D♯m6/F♯
EADGBE111x32
4frEADGBE11x3247frEADGBExx231411frEADGBE111234
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A♯m/G♯
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
D♯m/F♯
EADGBExx3241
EADGBExx13426frEADGBE11134211frEADGBE111134
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
A♯m/F
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342

Vals rasstavania in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to D# (ascending unison), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to A# (ascending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 42 bars · Form: A

Chords: A♯m, A♯m/C♯, D♯m/C, D♯m6/F♯, D♯m, F7, A♯m/G♯, D♯m/F♯, G♯7, C♯, F♯7, A♯m/F.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#