Vals rasstavania in F#

Yan Frenkel / K. Vanshenkin(1965)waltz
Do Re MiC D E
A
F♯m/A
Bm/G♯
Bm6/D
Bm6/D
F♯m/E
Bm/D
F♯m/C♯

Chord Diagrams — Vals rasstavania in F# (Guitar)

Display
FingerNoteDegree
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
F♯m/A
5frEADGBExx3241
EADGBE1111344frEADGBE11x3429frEADGBE111342
Bm/G♯
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
Bm6/D
EADGBE2314
EADGBExx23146frEADGBE2x134x7frEADGBE111234
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯m/E
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
Bm/D
10frEADGBExx3241
EADGBE1113427frEADGBE1111349frEADGBExx1342
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
F♯m/C♯
4frEADGBE11x342
EADGBE1111345frEADGBExx32419frEADGBE111342

Vals rasstavania in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to B (ascending unison), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to F# (ascending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to F# by unison.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz3/4 · 42 bars · Form: A

Chords: F♯m, F♯m/A, Bm/G♯, Bm6/D, Bm, C♯7, F♯m/E, Bm/D, E7, A, D7, F♯m/C♯.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#