Do Re MiC D E

Search For Peace

Tyner McCoy4/4ballad
C♯13sus4
C♯m11
E13♭9
D13♭9
A♯7/B
F♯13
D13/C
%
%
Dmaj7/G
%
Dmaj7/G
C♯13sus4
C♯13
C♯13sus4
C♯13sus4
C♯m11
E13♭9
D13♭9
A♯7/B
F♯13

Chord Diagrams — Search For Peace in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
G♯7♭9
5frEADGBE11xx23
EADGBE111x2
4frEADGBE11xx23
10frEADGBE11x234
C♯13sus4
4frEADGBE111134
EADGBEx4231
7frEADGBE222341
9frEADGBE111234
C♯m11
EADGBE111x23
7frEADGBE111342
9frEADGBE111114
11frEADGBE11xx23
F♯7♭9
3frEADGBE11xx23
EADGBE2134
8frEADGBE11x234
12frEADGBE3241xx
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
E13♭9
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
D13♭9
5frEADGBE111134
EADGBExx412
8frEADGBE4231
10frEADGBE1x234x
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
A♯7/B
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
F♯13
7frEADGBEx4231
EADGBE2314
EADGBE111234
9frEADGBE111134
D13/C
8frEADGBE4231
EADGBExx412
5frEADGBE111134
10frEADGBE1x234x
D♯m7
7frEADGBExx2314
EADGBExx1423
6frEADGBE111132
11frEADGBE111114
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
C♯m9
5frEADGBE222x14
EADGBEx21344
7frEADGBEx13244
9frEADGBE111134
Dmaj7/G
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
C♯13
4frEADGBE111134
EADGBEx4231
7frEADGBE222341
9frEADGBE111234

Explore More

Search For Peace in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to A# (ascending minor third), A# to F# (descending major third), F# to D (descending major third), D to D# (ascending half step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to C# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to D# by whole step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 33 bars · Form: ABC

Chords: D♯m7♭5, G♯7♭9, C♯13sus4, C♯m11, F♯7♭9, Bm7, E13♭9, Am7, D13♭9, Gm7, A♯7/B, F♯13, D13/C, D♯m7, G♯7, C♯m9, Dmaj7/G, C♯13.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#