Do Re MiC D E

Search For Peace

Tyner McCoy4/4ballad
A♯13sus4
A♯13sus4
A♯m11
C♯13♭9
B13♭9
G7/B
A♯13sus4
A♯13sus4
A♯m11
C♯13♭9
B13♭9
G7/B
D♯13
B13/C
%
%
Bmaj7/G
%
Bmaj7/G
A♯13sus4
A♯13
A♯13sus4
A♯13sus4
A♯m11
C♯13♭9
B13♭9
G7/B
D♯13

Chord Diagrams — Search For Peace in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cm7♭5
4frEADGBE11xx24
EADGBEx1324x
8frEADGBE111234
10frEADGBE333xx1
F7♭9
EADGBE11xx23
EADGBE111423
7frEADGBE11x234
11frEADGBE3241xx
A♯13sus4
EADGBE44x12
4frEADGBE1132
6frEADGBE111234
12frEADGBE44x213
A♯m11
4frEADGBE111342
6frEADGBE111114
8frEADGBE11xx23
11frEADGBE11x234
D♯7♭9
5frEADGBE11x234
EADGBExx24
6frEADGBE11x34
9frEADGBE3241xx
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
C♯13♭9
7frEADGBE222341
EADGBEx4231
4frEADGBE111134
9frEADGBE111234
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
B13♭9
7frEADGBE111234
EADGBE44x213
EADGBE111134
4frEADGBE111432
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
G7/B
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
B13/C
7frEADGBE111234
EADGBE44x213
EADGBE111134
4frEADGBE111432
Cm7
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
F7
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
A♯m9
6frEADGBE111134
2frEADGBExx2413
4frEADGBE113x24
11frEADGBEx2134x
Bmaj7/G
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
A♯13
6frEADGBE111234
EADGBE44x12
4frEADGBE1132
12frEADGBE44x213

Explore More

Search For Peace in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to G (ascending minor third), G to D# (descending major third), D# to B (descending major third), B to C (ascending half step), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to B (ascending half step), B to A# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to C by whole step.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 33 bars · Form: ABC

Chords: Cm7♭5, F7♭9, A♯13sus4, A♯m11, D♯7♭9, G♯m7, C♯13♭9, F♯m7, B13♭9, Em7, G7/B, D♯13, B13/C, Cm7, F7, A♯m9, Bmaj7/G, A♯13.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#