Do Re MiC D E

Search For Peace

Tyner McCoy4/4ballad
F13sus4
G♯13♭9
F♯13♭9
D7/B
A♯13
F♯13/C
%
%
F♯maj7/G
%
F♯maj7/G
F13sus4
F13
F13sus4
F13sus4
G♯13♭9
F♯13♭9
D7/B
A♯13

Chord Diagrams — Search For Peace in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Gm7♭5
5frEADGBE222xx1
EADGBE3xx421
EADGBE2x341x
10frEADGBEx1324x
C7♭9
6frEADGBE3241xx
EADGBE11x234
8frEADGBE111x23
9frEADGBExx3142
F13sus4
7frEADGBE44x213
EADGBE111324
EADGBE111234
8frEADGBE111134
Fm11
6frEADGBE11x234
EADGBE111114
EADGBE11xx23
11frEADGBE111342
A♯7♭9
6frEADGBE111x23
EADGBEx123
4frEADGBE3241xx
12frEADGBE11x234
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯13♭9
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
F♯13♭9
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
D7/B
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
A♯13
EADGBE44x12
4frEADGBE1132
6frEADGBE111234
12frEADGBE44x213
F♯13/C
EADGBE2314
EADGBE111234
7frEADGBEx4231
9frEADGBE111134
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
Fm9
EADGBEx1234
EADGBE111134
6frEADGBEx21344
11frEADGBE21344
F♯maj7/G
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
9frEADGBE111324
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134

Explore More

Search For Peace in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to D (ascending minor third), D to A# (descending major third), A# to F# (descending major third), F# to G (ascending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F# (ascending half step), F# to F (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to G by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 33 bars · Form: ABC

Chords: Gm7♭5, C7♭9, F13sus4, Fm11, A♯7♭9, D♯m7, G♯13♭9, C♯m7, F♯13♭9, Bm7, D7/B, A♯13, F♯13/C, Gm7, C7, Fm9, F♯maj7/G, F13.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#