Do Re MiC D E

Search For Peace

Tyner McCoy4/4ballad
E13sus4
Em11
G13♭9
F13♭9
C♯7/B
A13
F13/C
%
%
Fmaj7/G
%
Fmaj7/G
E13sus4
E13
E13sus4
E13sus4
Em11
G13♭9
F13♭9
C♯7/B
A13

Chord Diagrams — Search For Peace in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m7♭5
4frEADGBE222xx1
EADGBE2341
9frEADGBEx1324x
10frEADGBE11xx24
B7♭9
5frEADGBE3241xx
EADGBE11x234
7frEADGBE111x23
8frEADGBE11xx23
E13sus4
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
Em11
5frEADGBE11x234
EADGBE1
3frEADGBE321
10frEADGBE111342
A7♭9
5frEADGBE111423
EADGBE11x23
6frEADGBE11xx23
11frEADGBE11x234
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
G13♭9
3frEADGBE11x234
EADGBE321
3frEADGBE111324
9frEADGBEx21334
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
F13♭9
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
A♯m7
EADGBE111x32
EADGBExx2314
6frEADGBE111113
8frEADGBE11x423
C♯7/B
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
A13
3frEADGBE4231
EADGBEx123
5frEADGBE111324
11frEADGBE44x213
F13/C
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
Em9
EADGBE1243
EADGBE24
5frEADGBEx21344
10frEADGBE11324
Fmaj7/G
EADGBExx321
EADGBE111423
3frEADGBE11x333
8frEADGBE111324
E13
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134

Explore More

Search For Peace in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to A (descending major third), A to F (descending major third), F to F# (ascending half step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F (ascending half step), F to E (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to F# by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 33 bars · Form: ABC

Chords: F♯m7♭5, B7♭9, E13sus4, Em11, A7♭9, Dm7, G13♭9, Cm7, F13♭9, A♯m7, C♯7/B, A13, F13/C, F♯m7, B7, Em9, Fmaj7/G, E13.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A