Do Re MiC D E

Punjab

Henderson Joe4/4medium-swing
D♯maj
Fmaj
G♯maj7♯11
D♯maj
Fmaj
G♯maj7♯11
D♯maj
Fmaj
G♯maj7♯11
D♯maj
Fmaj
G♯maj7♯11
A♯maj13
F♯13♭9
D♯13
C♯m9♭5
Cmaj9♯11
%
%
D♯13
C♯9sus4
%
G♯maj7♯11

Chord Diagrams — Punjab in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯maj
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
Fmaj
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
Gmaj7
3frEADGBE111423
EADGBE321
5frEADGBE11333x
10frEADGBE11x324
G♯maj7♯11
EADGBE111123
4frEADGBE111234
8frEADGBE11x423
11frEADGBE11x234
A♯maj13
EADGBE11x234
5frEADGBE111123
6frEADGBE111234
10frEADGBE11x423
F♯13♭9
EADGBE2314
EADGBE111234
7frEADGBEx4231
9frEADGBE111134
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
Emaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
C♯m9♭5
C♯ - D♯ - E - G - B
F♯7
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
Cmaj9♯11
8frEADGBE111234
EADGBEx4231
3frEADGBE11x234
7frEADGBE111123
B7♭9
8frEADGBE11xx23
EADGBE11x234
5frEADGBE3241xx
7frEADGBE111x23
D13
8frEADGBE4231
EADGBExx412
5frEADGBE111134
10frEADGBE1x234x
C9
7frEADGBE131214
EADGBE221334
7frEADGBE112344
9frEADGBExx2143
C♯9
8frEADGBE3142xx
EADGBE221334
9frEADGBE111324
10frEADGBExx2143
C♯9sus4
C♯ - F♯ - G♯ - B - D♯
D♯maj7
8frEADGBE111xx4
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
Fmaj7
8frEADGBE111324
EADGBExx321
EADGBE111423
3frEADGBE11x333

Explore More

Punjab in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to F (ascending whole step), F to G (ascending whole step), G to G# (ascending half step), G# to A# (ascending whole step), A# to F# (descending major third), F# to D# (descending minor third), D# to E (ascending half step), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to B (descending half step), B to D (ascending minor third), D to C (descending whole step), C to C# (ascending half step), C# to C# (ascending unison), C# to D# (ascending whole step), D# to F (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to D# by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 26 bars · Form: AB

Chords: D♯maj, Fmaj, Gmaj7, G♯maj7♯11, A♯maj13, F♯13♭9, D♯13, Emaj7, C♯m9♭5, F♯7, Cmaj9♯11, B7♭9, D13, C9, C♯9, C♯9sus4, D♯maj7, Fmaj7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#