Do Re MiC D E

Punjab

Henderson Joe4/4medium-swing
Gmaj
Amaj
Cmaj7♯11
Gmaj
Amaj
Cmaj7♯11
Gmaj
Amaj
Cmaj7♯11
Gmaj
Amaj
Cmaj7♯11
Dmaj13
A♯13♭9
Fm9♭5
Emaj9♯11
%
%
G13
F♯13
F9sus4
%
Cmaj7♯11

Chord Diagrams — Punjab in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Gmaj
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
Amaj
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
Bmaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
Cmaj7♯11
EADGBEx4231
3frEADGBE11x234
7frEADGBE111123
8frEADGBE111234
Dmaj13
EADGBE11xx3
2frEADGBEx4231
5frEADGBE11x234
9frEADGBE111123
A♯13♭9
EADGBE44x12
4frEADGBE1132
6frEADGBE111234
12frEADGBE44x213
G13
EADGBE321
3frEADGBE11x234
3frEADGBE111324
9frEADGBEx21334
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Fm9♭5
F - G - A♭ - B - E♭
A♯7
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
Emaj9♯11
4frEADGBE11x423
EADGBE11234
7frEADGBE11x234
11frEADGBE111123
D♯7♭9
5frEADGBE11x234
EADGBExx24
6frEADGBE11x34
9frEADGBE3241xx
F♯13
7frEADGBEx4231
EADGBE2314
EADGBE111234
9frEADGBE111134
E9
6frEADGBE221334
EADGBE213
EADGBE113x42
9frEADGBE11112
F9
7frEADGBE221334
EADGBE111324
EADGBExx2143
10frEADGBE1111x2
F9sus4
F - B♭ - C - E♭ - G
Gmaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1

Explore More

Punjab in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to A (ascending whole step), A to B (ascending whole step), B to C (ascending half step), C to D (ascending whole step), D to A# (descending major third), A# to G (descending minor third), G to G# (ascending half step), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to E (ascending tritone), E to D# (descending half step), D# to F# (ascending minor third), F# to E (descending whole step), E to F (ascending half step), F to F (ascending unison), F to G (ascending whole step), G to A (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to G by whole step.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 26 bars · Form: AB

Chords: Gmaj, Amaj, Bmaj7, Cmaj7♯11, Dmaj13, A♯13♭9, G13, G♯maj7, Fm9♭5, A♯7, Emaj9♯11, D♯7♭9, F♯13, E9, F9, F9sus4, Gmaj7, Amaj7.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C