Do Re MiC D E

Punjab

Henderson Joe4/4medium-swing
C♯maj
D♯maj
F♯maj7♯11
C♯maj
D♯maj
F♯maj7♯11
C♯maj
D♯maj
F♯maj7♯11
C♯maj
D♯maj
F♯maj7♯11
G♯maj13
E13♭9
C♯13
Bm9♭5
A♯maj9♯11
%
%
C♯13
B9sus4
%
F♯maj7♯11

Chord Diagrams — Punjab in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯maj
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
D♯maj
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
F♯maj7♯11
4frEADGBE11x234
EADGBE111123
6frEADGBE11x423
9frEADGBE11x234
G♯maj13
4frEADGBE111234
EADGBE111123
8frEADGBE11x423
11frEADGBE11x234
E13♭9
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
C♯13
4frEADGBE111134
EADGBEx4231
7frEADGBE222341
9frEADGBE111234
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
Bm9♭5
B - C♯ - D - F - A
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
A♯maj9♯11
6frEADGBE111234
EADGBE11x234
5frEADGBE111123
10frEADGBE11x423
A7♭9
6frEADGBE11xx23
EADGBE11x23
5frEADGBE111423
11frEADGBE11x234
C13
6frEADGBE222341
2frEADGBE44x213
3frEADGBE111134
8frEADGBE111324
A♯9
6frEADGBE111324
EADGBEx1234
5frEADGBE11234x
12frEADGBEx21333
B9
7frEADGBE111324
EADGBEx21334
4frEADGBE111432
8frEADGBExx2143
B9sus4
B - E - F♯ - A - C♯
C♯maj7
6frEADGBE11xxx3
EADGBE111x43
4frEADGBE111324
9frEADGBE1x342x
D♯maj7
6frEADGBE111324
EADGBE11333x
3frEADGBE111x43
8frEADGBE111xx4

Explore More

Punjab in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to D# (ascending whole step), D# to F (ascending whole step), F to F# (ascending half step), F# to G# (ascending whole step), G# to E (descending major third), E to C# (descending minor third), C# to D (ascending half step), D to B (descending minor third), B to E (ascending perfect fourth), E to A# (ascending tritone), A# to A (descending half step), A to C (ascending minor third), C to A# (descending whole step), A# to B (ascending half step), B to B (ascending unison), B to C# (ascending whole step), C# to D# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to C# by whole step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 26 bars · Form: AB

Chords: C♯maj, D♯maj, Fmaj7, F♯maj7♯11, G♯maj13, E13♭9, C♯13, Dmaj7, Bm9♭5, E7, A♯maj9♯11, A7♭9, C13, A♯9, B9, B9sus4, C♯maj7, D♯maj7.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#