Do Re MiC D E

Punjab

Henderson Joe4/4medium-swing
Emaj
F♯maj
Amaj7♯11
Emaj
F♯maj
Amaj7♯11
Emaj
F♯maj
Amaj7♯11
Emaj
F♯maj
Amaj7♯11
Bmaj13
G13♭9
Dm9♭5
C♯maj9♯11
%
%
E13
D♯13
D9sus4
%
Amaj7♯11

Chord Diagrams — Punjab in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Emaj
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
F♯maj
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Amaj7♯11
4frEADGBE111123
EADGBEx2134
6frEADGBE11x34
9frEADGBE11x423
Bmaj13
EADGBE11x234
6frEADGBE111123
7frEADGBE111234
11frEADGBE11x423
G13♭9
3frEADGBE111324
EADGBE321
3frEADGBE11x234
9frEADGBEx21334
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
Dm9♭5
D - E - F - A♭ - C
G7
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
C♯maj9♯11
EADGBEx42311
4frEADGBE11x234
8frEADGBE111123
9frEADGBE111234
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
C♯9
8frEADGBE3142xx
EADGBE221334
9frEADGBE111324
10frEADGBExx2143
D9
9frEADGBE11234x
4frEADGBE221334
7frEADGBEx1234
10frEADGBE111324
D9sus4
D - G - A - C - E
Emaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
F♯maj7
6frEADGBE111x43
EADGBE111423
4frEADGBE11x333
9frEADGBE111324

Explore More

Punjab in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to F# (ascending whole step), F# to G# (ascending whole step), G# to A (ascending half step), A to B (ascending whole step), B to G (descending major third), G to E (descending minor third), E to F (ascending half step), F to D (descending minor third), D to G (ascending perfect fourth), G to C# (ascending tritone), C# to C (descending half step), C to D# (ascending minor third), D# to C# (descending whole step), C# to D (ascending half step), D to D (ascending unison), D to E (ascending whole step), E to F# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to E by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 26 bars · Form: AB

Chords: Emaj, F♯maj, G♯maj7, Amaj7♯11, Bmaj13, G13♭9, E13, Fmaj7, Dm9♭5, G7, C♯maj9♯11, C7♭9, D♯13, C♯9, D9, D9sus4, Emaj7, F♯maj7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A