Prelude to a Kiss in E

Duke Ellington / Irving Gordon / Irving Mills(1938)swing
Do Re MiC D E
A
B

Chord Diagrams — Prelude to a Kiss in E (Guitar)

Display
FingerNoteDegree
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
D♯9
EADGBExx132
5frEADGBE2222x110frEADGBE3142xx11frEADGBE111324
G♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
F♯m7add11
F♯ - A - C♯ - E - B
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Cdim7
EADGBExx1324
EADGBE11x2347frEADGBE112x3x10frEADGBE11xx34
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
B7♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
F♯m11
EADGBE231
EADGBE1111144frEADGBE11xx237frEADGBE11x234
Gm11
EADGBE2x341x
3frEADGBE1111145frEADGBE11xx238frEADGBE11x234
G♯m11
EADGBE111342
4frEADGBE1111146frEADGBE11xx239frEADGBE11x334
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221

Prelude to a Kiss in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to C (ascending half step), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to G# (ascending major third), G# to A# (ascending whole step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to F# (descending whole step), F# to G (ascending half step), G to G# (ascending half step), G# to G (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to F# by half step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 26 bars · Form: AB

Chords: F♯9, B9, E7, AMaj7, D♯9, G♯9, C♯7, F♯m7, F♯m7add11, B7, Cdim7, C♯m7, F♯13, B7♭9, E, G♯m7, A♯m7, D♯7, G♯Maj7, Fm7, A♯m7♭5, G♯7, F♯m11, Gm11, G♯m11, G9.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E