Prelude to a Kiss in C#

Duke Ellington / Irving Gordon / Irving Mills(1938)swing
Do Re MiC D E
A
B

Chord Diagrams — Prelude to a Kiss in C# (Guitar)

Display
FingerNoteDegree
D♯9
EADGBExx132
5frEADGBE2222x110frEADGBE3142xx11frEADGBE111324
G♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
C9
EADGBE222221
7frEADGBE1123447frEADGBE1113249frEADGBExx2143
F9
EADGBE111324
EADGBExx21437frEADGBE22222110frEADGBE1111x2
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
D♯m7add11
D♯ - F♯ - A♯ - C♯ - G♯
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Adim7
EADGBEx1324
4frEADGBE112x3x5frEADGBE1112347frEADGBE11x34
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
G♯7♭9
EADGBE111x2
4frEADGBE11xx235frEADGBE11xx2310frEADGBE11x234
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
FMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
Gm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
D♯m11
EADGBE11xx34
4frEADGBE11x2349frEADGBE11134211frEADGBE111114
Em11
EADGBE1
3frEADGBE3215frEADGBE11x23410frEADGBE111342
Fm11
EADGBE111114
EADGBE11xx236frEADGBE11x23411frEADGBE111342
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112

Prelude to a Kiss in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to A (ascending half step), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F (ascending major third), F to G (ascending whole step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to D (descending minor third), D to G (ascending perfect fourth), G to F (descending whole step), F to D# (descending whole step), D# to E (ascending half step), E to F (ascending half step), F to E (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to D# by half step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 26 bars · Form: AB

Chords: D♯9, G♯9, C♯7, F♯Maj7, C9, F9, A♯7, D♯m7, D♯m7add11, G♯7, Adim7, A♯m7, D♯13, G♯7♭9, C♯, Fm7, Gm7, C7, FMaj7, Dm7, Gm7♭5, F7, D♯m11, Em11, Fm11, E9.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#