Prelude to a Kiss in G#

Duke Ellington / Irving Gordon / Irving Mills(1938)swing
Do Re MiC D E
A
B

Chord Diagrams — Prelude to a Kiss in G# (Guitar)

Display
FingerNoteDegree
A♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1
D♯9
EADGBExx132
5frEADGBE2222x110frEADGBE3142xx11frEADGBE111324
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
C9
EADGBE222221
7frEADGBE1123447frEADGBE1113249frEADGBExx2143
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
A♯m7add11
A♯ - C♯ - F - G♯ - D♯
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
Edim7
EADGBE123
EADGBExx13246frEADGBEx2314x11frEADGBE112x3x
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
D♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx
G♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
CMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
Dm7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
A♯m11
4frEADGBE111342
6frEADGBE1111148frEADGBE11xx2311frEADGBE11x234
Bm11
EADGBEx123
5frEADGBE1113427frEADGBE1111149frEADGBE1122xx
Cm11
EADGBE11x234
EADGBE1111x26frEADGBE1113428frEADGBE111114
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143

Prelude to a Kiss in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to E (ascending half step), E to F (ascending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to D (ascending whole step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to A (descending minor third), A to D (ascending perfect fourth), D to C (descending whole step), C to A# (descending whole step), A# to B (ascending half step), B to C (ascending half step), C to B (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to A# by half step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 26 bars · Form: AB

Chords: A♯9, D♯9, G♯7, C♯Maj7, G9, C9, F7, A♯m7, A♯m7add11, D♯7, Edim7, Fm7, A♯13, D♯7♭9, G♯, Cm7, Dm7, G7, CMaj7, Am7, Dm7♭5, C7, A♯m11, Bm11, Cm11, B9.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#