Prelude to a Kiss in F

Duke Ellington / Irving Gordon / Irving Mills(1938)swing
Do Re MiC D E
A
B
Gm7add11
G13

Chord Diagrams — Prelude to a Kiss in F (Guitar)

Display
FingerNoteDegree
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
C9
EADGBE222221
7frEADGBE1123447frEADGBE1113249frEADGBExx2143
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A♯Maj7
EADGBE11x324
3frEADGBE111xx46frEADGBE1114238frEADGBE11333x
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
Gm7add11
G - B♭ - D - F - C
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
C♯dim7
EADGBExx1324
3frEADGBE11x2348frEADGBE112x3x11frEADGBExx1324
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
C7♭9
EADGBE11x234
6frEADGBE3241xx8frEADGBE111x239frEADGBExx3142
F
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Gm11
EADGBE2x341x
3frEADGBE1111145frEADGBE11xx238frEADGBE11x234
G♯m11
EADGBE111342
4frEADGBE1111146frEADGBE11xx239frEADGBE11x334
Am11
EADGBEx1
3frEADGBE1113425frEADGBE11111410frEADGBE11x234
G♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221

Prelude to a Kiss in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to E (ascending tritone), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to C# (ascending half step), C# to D (ascending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A (ascending major third), A to B (ascending whole step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to F# (descending minor third), F# to B (ascending perfect fourth), B to A (descending whole step), A to G (descending whole step), G to G# (ascending half step), G# to A (ascending half step), A to G# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to G by half step.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 26 bars · Form: AB

Chords: G9, C9, F7, A♯Maj7, E9, A9, D7, Gm7, Gm7add11, C7, C♯dim7, Dm7, G13, C7♭9, F, Am7, Bm7, E7, AMaj7, F♯m7, Bm7♭5, A7, Gm11, G♯m11, Am11, G♯9.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F