Do Re MiC D E

Pinocchio

Shorter Wayne4/4up-tempo-swing
Emaj7♯11
Bm69
Dmaj7♯11
Cmaj7♯5
%
G♯maj7♯11
Emaj7♯11
%
C♯maj7♯5
E13
%

Chord Diagrams — Pinocchio in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Emaj7♯11
4frEADGBE11x423
EADGBE11234
7frEADGBE11x234
11frEADGBE111123
Gm9
6frEADGBE11xx2
EADGBE2341
3frEADGBE111134
8frEADGBEx21344
Bm69
5frEADGBE2233x1
EADGBEx2134
7frEADGBE112234
9frEADGBE1112x3
Dmaj7♯11
5frEADGBE11x234
EADGBE11xx3
2frEADGBEx4231
9frEADGBE111123
Cmaj7♯5
5frEADGBE4321
EADGBEx321
3frEADGBEx1423
8frEADGBE1432
AmMaj7
5frEADGBE111132
EADGBEx312
7frEADGBE11x342
9frEADGBE11x42x
FmMaj7
3frEADGBExx1342
EADGBE111132
8frEADGBE111423
12frEADGBExx4231
Fm6
3frEADGBE11xx32
EADGBE1x234
6frEADGBE11x324
9frEADGBExx2314
G♯maj7♯11
EADGBE111123
4frEADGBE111234
8frEADGBE11x423
11frEADGBE11x234
C♯maj7
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x
Am9
EADGBEx2413
5frEADGBE111134
8frEADGBE132
10frEADGBEx21344
Bm9
EADGBEx1234
3frEADGBE222x14
7frEADGBE111134
10frEADGBE112234
Dm9
EADGBE132
3frEADGBEx21344
5frEADGBEx1423
10frEADGBE111134
C♯maj7♯5
EADGBE111432
4frEADGBEx1423x
8frEADGBExx4231
11frEADGBExx1423
A7alt
EADGBEx123x
4frEADGBEx4312
8frEADGBEx4132
12frEADGBEx1234x
E13
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
Em9
EADGBE24
EADGBE1243
5frEADGBEx21344
10frEADGBE11324

Explore More

Pinocchio in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through E to G (ascending minor third), G to B (ascending major third), B to D (ascending minor third), D to C (descending whole step), C to A (descending minor third), A to F (descending major third), F to F (ascending unison), F to G# (ascending minor third), G# to C# (ascending perfect fourth), C# to A (descending major third), A to B (ascending whole step), B to D (ascending minor third), D to C# (descending half step), C# to A (descending major third), A to E (descending perfect fourth), E to E (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to E by unison.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

up-tempo-swing4/4 · 18 bars · Form: A

Chords: Emaj7♯11, Gm9, Bm69, Dmaj7♯11, Cmaj7♯5, AmMaj7, FmMaj7, Fm6, G♯maj7♯11, C♯maj7, Am9, Bm9, Dm9, C♯maj7♯5, A7alt, E13, Em9.

Scales for Improvisation C# bebop minor, C# bebop.

Diatonic chords: See all chords in the key of C#