Do Re MiC D E

Pinocchio

Shorter Wayne4/4up-tempo-swing
C♯maj7♯11
G♯m69
Bmaj7♯11
Amaj7♯5
%
Fmaj7♯11
C♯maj7♯11
%
A♯maj7♯5
C♯13
%

Chord Diagrams — Pinocchio in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯maj7♯11
4frEADGBE11x234
EADGBEx42311
8frEADGBE111123
9frEADGBE111234
Em9
5frEADGBEx21344
EADGBE24
EADGBE1243
10frEADGBE11324
G♯m69
6frEADGBE111123
3frEADGBE2x1334
4frEADGBE112234
9frEADGBEx31244
Bmaj7♯11
6frEADGBE111123
EADGBE11x234
7frEADGBE111234
11frEADGBE11x423
Amaj7♯5
5frEADGBEx2341
EADGBE11x32
EADGBE11x23
9frEADGBE432
F♯mMaj7
4frEADGBE11x342
EADGBE111132
6frEADGBE11x42x
9frEADGBE111423
DmMaj7
5frEADGBE111423
EADGBExx231
2frEADGBE11x42
10frEADGBE111132
Dm6
5frEADGBEx13x24
EADGBExx21
3frEADGBE11x324
9frEADGBE2x1333
Fmaj7♯11
5frEADGBE11x423
EADGBE12
EADGBExx213
8frEADGBE11x234
A♯maj7
6frEADGBE111423
EADGBE11x324
3frEADGBE111xx4
8frEADGBE11333x
F♯m9
7frEADGBEx21344
EADGBE2314
EADGBE111123
10frEADGBExx2413
G♯m9
7frEADGBE221341
EADGBE11143
4frEADGBE111134
9frEADGBEx21344
Bm9
7frEADGBE111134
EADGBEx1234
3frEADGBE222x14
10frEADGBE112234
A♯maj7♯5
6frEADGBE1x234x
EADGBEx1243
3frEADGBE11xx24
10frEADGBE111432
F♯7alt
4frEADGBExx1243
EADGBExx4312
EADGBE11243x
9frEADGBE11x234
C♯13
4frEADGBE111134
EADGBEx4231
7frEADGBE222341
9frEADGBE111234
C♯m9
EADGBEx21344
5frEADGBE222x14
7frEADGBEx13244
9frEADGBE111134

Explore More

Pinocchio in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to E (ascending minor third), E to G# (ascending major third), G# to B (ascending minor third), B to A (descending whole step), A to F# (descending minor third), F# to D (descending major third), D to D (ascending unison), D to F (ascending minor third), F to A# (ascending perfect fourth), A# to F# (descending major third), F# to G# (ascending whole step), G# to B (ascending minor third), B to A# (descending half step), A# to F# (descending major third), F# to C# (descending perfect fourth), C# to C# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to C# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

up-tempo-swing4/4 · 18 bars · Form: A

Chords: C♯maj7♯11, Em9, G♯m69, Bmaj7♯11, Amaj7♯5, F♯mMaj7, DmMaj7, Dm6, Fmaj7♯11, A♯maj7, F♯m9, G♯m9, Bm9, A♯maj7♯5, F♯7alt, C♯13, C♯m9.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#