Do Re MiC D E

Pinocchio

Shorter Wayne4/4up-tempo-swing
Cmaj7♯11
Gm69
A♯maj7♯11
G♯maj7♯5
%
Emaj7♯11
Cmaj7♯11
%
Amaj7♯5
C13
%

Chord Diagrams — Pinocchio in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cmaj7♯11
3frEADGBE11x234
EADGBEx4231
7frEADGBE111123
8frEADGBE111234
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
Gm69
5frEADGBE111123
EADGBE3124
3frEADGBEx22134
8frEADGBEx31244
A♯maj7♯11
5frEADGBE111123
EADGBE11x234
6frEADGBE111234
10frEADGBE11x423
G♯maj7♯5
3frEADGBE2134
EADGBE4321
8frEADGBE111432
11frEADGBEx1423x
FmMaj7
3frEADGBExx1342
EADGBE111132
8frEADGBE111423
12frEADGBExx4231
C♯mMaj7
4frEADGBE111423
EADGBE11x42x
9frEADGBE111132
11frEADGBE11x342
C♯m6
5frEADGBExx2314
EADGBE11x324
8frEADGBE2x134x
9frEADGBE111234
Emaj7♯11
4frEADGBE11x423
EADGBE11234
7frEADGBE11x234
11frEADGBE111123
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
Fm9
6frEADGBEx21344
EADGBE111134
EADGBEx1234
11frEADGBE21344
Gm9
6frEADGBE11xx2
EADGBE2341
3frEADGBE111134
8frEADGBEx21344
A♯m9
6frEADGBE111134
2frEADGBExx2413
4frEADGBE113x24
11frEADGBEx2134x
Amaj7♯5
5frEADGBEx2341
EADGBE11x32
EADGBE11x23
9frEADGBE432
F7alt
3frEADGBExx123
EADGBE1243x
8frEADGBEx1234x
12frEADGBE112x43
C13
3frEADGBE111134
2frEADGBE44x213
6frEADGBE222341
8frEADGBE111324
Cm9
EADGBEx1243
EADGBEx21344
6frEADGBEx13244
8frEADGBE111134

Explore More

Pinocchio in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to D# (ascending minor third), D# to G (ascending major third), G to A# (ascending minor third), A# to G# (descending whole step), G# to F (descending minor third), F to C# (descending major third), C# to C# (ascending unison), C# to E (ascending minor third), E to A (ascending perfect fourth), A to F (descending major third), F to G (ascending whole step), G to A# (ascending minor third), A# to A (descending half step), A to F (descending major third), F to C (descending perfect fourth), C to C (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to C by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

up-tempo-swing4/4 · 18 bars · Form: A

Chords: Cmaj7♯11, D♯m9, Gm69, A♯maj7♯11, G♯maj7♯5, FmMaj7, C♯mMaj7, C♯m6, Emaj7♯11, Amaj7, Fm9, Gm9, A♯m9, Amaj7♯5, F7alt, C13, Cm9.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A