Do Re MiC D E

Pinocchio

Shorter Wayne4/4up-tempo-swing
Dmaj7♯11
Am69
Cmaj7♯11
A♯maj7♯5
%
F♯maj7♯11
Dmaj7♯11
%
Bmaj7♯5
D13
%

Chord Diagrams — Pinocchio in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Dmaj7♯11
5frEADGBE11x234
EADGBE11xx3
2frEADGBEx4231
9frEADGBE111123
Fm9
6frEADGBEx21344
EADGBE111134
EADGBEx1234
11frEADGBE21344
Am69
7frEADGBE11123
4frEADGBEx24
5frEADGBE112234
10frEADGBEx31244
Cmaj7♯11
7frEADGBE111123
EADGBEx4231
3frEADGBE11x234
8frEADGBE111234
A♯maj7♯5
6frEADGBE1x234x
EADGBEx1243
3frEADGBE11xx24
10frEADGBE111432
GmMaj7
5frEADGBE11x342
EADGBE3142
3frEADGBE111132
10frEADGBE11x423
D♯mMaj7
6frEADGBE11x423
EADGBExx1342
3frEADGBEx4312x
11frEADGBE111132
D♯m6
7frEADGBExx2314
EADGBE111x32
4frEADGBE11x324
11frEADGBE111234
F♯maj7♯11
6frEADGBE11x423
EADGBE111123
4frEADGBE11x234
9frEADGBE11x234
Bmaj7
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
Gm9
6frEADGBE11xx2
EADGBE2341
3frEADGBE111134
8frEADGBEx21344
Am9
5frEADGBE111134
EADGBEx2413
8frEADGBE132
10frEADGBEx21344
Cm9
6frEADGBEx13244
EADGBEx21344
EADGBEx1243
8frEADGBE111134
Bmaj7♯5
6frEADGBE2133x
EADGBEx2134
2frEADGBEx1423x
11frEADGBE111432
G7alt
5frEADGBExx123
EADGBE31x24
9frEADGBEx312
10frEADGBEx1234x
D13
5frEADGBE111134
EADGBExx412
8frEADGBE4231
10frEADGBE1x234x
Dm9
5frEADGBEx1423
EADGBE132
3frEADGBEx21344
10frEADGBE111134

Explore More

Pinocchio in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through D to F (ascending minor third), F to A (ascending major third), A to C (ascending minor third), C to A# (descending whole step), A# to G (descending minor third), G to D# (descending major third), D# to D# (ascending unison), D# to F# (ascending minor third), F# to B (ascending perfect fourth), B to G (descending major third), G to A (ascending whole step), A to C (ascending minor third), C to B (descending half step), B to G (descending major third), G to D (descending perfect fourth), D to D (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to D by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

up-tempo-swing4/4 · 18 bars · Form: A

Chords: Dmaj7♯11, Fm9, Am69, Cmaj7♯11, A♯maj7♯5, GmMaj7, D♯mMaj7, D♯m6, F♯maj7♯11, Bmaj7, Gm9, Am9, Cm9, Bmaj7♯5, G7alt, D13, Dm9.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B