Do Re MiC D E

Not Like This

Jeremy Lubbock2/2swing
G♯9sus4
F♯Maj9♯11
F♯Maj9
Fm7/B♭
F7♭9♯5
F♯Maj9♯11
D♯7♭9♭5
D♯9sus4
F7♭9♯11
A♯m7/A♭
Fm7/B♭
F♯Maj9
D7♭9♭5
A♯m11
G♯9sus4
D♯9sus4
F♯Maj9♯11
F♯Maj9
Fm7/B♭
F7♭9♯5
F♯Maj9♯11
D♯7♭9♭5
D♯9sus4
G♯9sus4
D13
GMaj9
F♯9sus4
BMaj9
E9sus4
D♯/D♭
C♯/E♭
G♯m/A
C♯/B
B/A
Aaug♯7/G♯
C♭9/D♭
G♯9sus4

Chord Diagrams — Not Like This in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯9sus4
G♯ - C♯ - D♯ - F♯ - A♯
F♯Maj9♯11
F♯Maj9
A♯m9
4frEADGBE113x24
2frEADGBExx2413
6frEADGBE111134
11frEADGBEx2134x
Fm7/B♭
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
F7♭9♯5
F - A - C♯ - E♭ - G♭
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
A♯7♯11
5frEADGBE11123x
EADGBEx123
8frEADGBExx1234
12frEADGBE11x234
D♯7♭9♭5
D♯ - G - A♯ - C♯ - E - A
D♯9sus4
D♯ - G♯ - A♯ - C♯ - F
F7♭9♯11
F - A - C - E♭ - G♭ - B
A♯m7/A♭
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Gm7♭5
5frEADGBE222xx1
EADGBE3xx421
EADGBE2x341x
10frEADGBEx1324x
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
D7♭9♭5
D - F♯ - A - C - E♭ - G♯
C♯Maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
A♯m11
4frEADGBE111342
6frEADGBE111114
8frEADGBE11xx23
11frEADGBE11x234
D13
5frEADGBE111134
EADGBExx412
8frEADGBE4231
10frEADGBE1x234x
GMaj9
F♯9sus4
F♯ - B - C♯ - E - G♯
CMaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
BMaj9
E9
6frEADGBE221334
EADGBE213
EADGBE113x42
9frEADGBE11112
E9sus4
E - A - B - D - F♯
D♯/D♭
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
C♯/E♭
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
G♯m/A
6frEADGBExx1342
4frEADGBE111134
7frEADGBExx3241
11frEADGBE111342
C♯/B
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
B/A
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
Aaug♯7/G♯
B9/D♭
7frEADGBE111324
EADGBEx21334
4frEADGBE111432
8frEADGBExx2143
C♯
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342

Explore More

Not Like This in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to F# (descending whole step), F# to F# (ascending unison), F# to A# (ascending major third), A# to F (descending perfect fourth), F to F (ascending unison), F to D# (descending whole step), D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to G (descending minor third), G to F (descending whole step), F to D (descending minor third), D to C# (descending half step), C# to A# (descending minor third), A# to D (ascending major third), D to G (ascending perfect fourth), G to F# (descending half step), F# to C (ascending tritone), C to B (descending half step), B to E (ascending perfect fourth), E to E (ascending unison), E to D# (descending half step), D# to C# (descending whole step), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to B (descending whole step), B to A (descending whole step), A to Cb (ascending minor third), Cb to C# (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to G# by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 39 bars · Form: A

Chords: G♯9sus4, F♯Maj9♯11, F♯Maj9, A♯m9, Fm7/B♭, F7♭9♯5, D♯m9, A♯7♯11, D♯7♭9♭5, D♯9sus4, F7♭9♯11, A♯m7/A♭, Gm7♭5, Fm7, D7♭9♭5, C♯Maj7, A♯m11, D13, GMaj9, F♯9sus4, CMaj7, BMaj9, E9, E9sus4, D♯/D♭, C♯/E♭, G♯m/A, C♯/B, B/A, Aaug♯7/G♯, C♭9/D♭, C♯.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#