Not Like This
Chord Diagrams — Not Like This in B (Guitar)
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Not Like This in B
Key of B
B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.
Voice Leading
The bass line moves through F# to E (descending whole step), E to E (ascending unison), E to G# (ascending major third), G# to D# (descending perfect fourth), D# to D# (ascending unison), D# to C# (descending whole step), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to D# (descending whole step), D# to C (descending minor third), C to B (descending half step), B to G# (descending minor third), G# to C (ascending major third), C to F (ascending perfect fourth), F to E (descending half step), E to A# (ascending tritone), A# to A (descending half step), A to D (ascending perfect fourth), D to D (ascending unison), D to C# (descending half step), C# to B (descending whole step), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to A (descending whole step), A to G (descending whole step), G to Cb (ascending perfect fourth), Cb to B (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to F# by perfect fourth.
Scales for Improvisation
B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.