Not Like This
Chord Diagrams — Not Like This in A# (Guitar)
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Not Like This in A#
Key of A#
A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.
Voice Leading
The bass line moves through F to D# (descending whole step), D# to D# (ascending unison), D# to G (ascending major third), G to D (descending perfect fourth), D to D (ascending unison), D to C (descending whole step), C to G (descending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison), C to D (ascending whole step), D to G (ascending perfect fourth), G to E (descending minor third), E to D (descending whole step), D to B (descending minor third), B to A# (descending half step), A# to G (descending minor third), G to B (ascending major third), B to E (ascending perfect fourth), E to D# (descending half step), D# to A (ascending tritone), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to C (descending half step), C to A# (descending whole step), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to F# (descending whole step), F# to Cb (ascending tritone), Cb to A# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to F by perfect fourth.
Scales for Improvisation
A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.