Do Re MiC D E

Not Like This

Jeremy Lubbock2/2swing
E9sus4
DMaj9♯11
DMaj9
C♯m7/B♭
C♯7♭9♯5
DMaj9♯11
B7♭9♭5
B9sus4
C♯7♭9♯11
F♯m7/A♭
C♯m7/B♭
DMaj9
A♯7♭9♭5
F♯m11
E9sus4
B9sus4
DMaj9♯11
DMaj9
C♯m7/B♭
C♯7♭9♯5
DMaj9♯11
B7♭9♭5
B9sus4
E9sus4
A♯13
D♯Maj9
D9sus4
GMaj9
C9sus4
B/D♭
A/E♭
Em/A
A/B
G/A
Faug♯7/G♯
C♭9/D♭
E9sus4

Chord Diagrams — Not Like This in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E9sus4
E - A - B - D - F♯
DMaj9♯11
DMaj9
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
C♯m7/B♭
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
C♯7♭9♯5
C♯ - F - A - B - D
Bm9
3frEADGBE222x14
EADGBEx1234
7frEADGBE111134
10frEADGBE112234
F♯7♯11
4frEADGBExx1234
EADGBE111234
8frEADGBE11x234
9frEADGBE111x23
B7♭9♭5
B - D♯ - F♯ - A - C - F
B9sus4
B - E - F♯ - A - C♯
C♯7♭9♯11
C♯ - F - G♯ - B - D - G
F♯m7/A♭
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
A♯7♭9♭5
A♯ - D - F - G♯ - B - E
AMaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
F♯m11
4frEADGBE11xx23
EADGBE231
EADGBE111114
7frEADGBE11x234
A♯13
4frEADGBE1132
EADGBE44x12
6frEADGBE111234
12frEADGBE44x213
D♯Maj9
D9sus4
D - G - A - C - E
G♯Maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
GMaj9
C9
EADGBE221334
7frEADGBE112344
7frEADGBE131214
9frEADGBExx2143
C9sus4
C - F - G - B♭ - D
B/D♭
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
A/E♭
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
Em/A
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
A/B
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
G/A
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
Faug♯7/G♯
B9/D♭
EADGBEx21334
4frEADGBE111432
7frEADGBE111324
8frEADGBExx2143
A
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243

Explore More

Not Like This in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to D (descending whole step), D to D (ascending unison), D to F# (ascending major third), F# to C# (descending perfect fourth), C# to C# (ascending unison), C# to B (descending whole step), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to D# (descending minor third), D# to C# (descending whole step), C# to A# (descending minor third), A# to A (descending half step), A to F# (descending minor third), F# to A# (ascending major third), A# to D# (ascending perfect fourth), D# to D (descending half step), D to G# (ascending tritone), G# to G (descending half step), G to C (ascending perfect fourth), C to C (ascending unison), C to B (descending half step), B to A (descending whole step), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to G (descending whole step), G to F (descending whole step), F to Cb (descending perfect fourth), Cb to A (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to E by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 39 bars · Form: A

Chords: E9sus4, DMaj9♯11, DMaj9, F♯m9, C♯m7/B♭, C♯7♭9♯5, Bm9, F♯7♯11, B7♭9♭5, B9sus4, C♯7♭9♯11, F♯m7/A♭, D♯m7♭5, C♯m7, A♯7♭9♭5, AMaj7, F♯m11, A♯13, D♯Maj9, D9sus4, G♯Maj7, GMaj9, C9, C9sus4, B/D♭, A/E♭, Em/A, A/B, G/A, Faug♯7/G♯, C♭9/D♭, A.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A