Do Re MiC D E

Nacada

Metheny Pat4/4ballad
F♯maj9
Dmaj7♯11
A♯7♯9♯5
G♯13
Gmaj9
C9♯11
D♯maj9
G♯13
D9♯11
D9♯11

Chord Diagrams — Nacada in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯maj9
3frEADGBExx2143
EADGBE111243
EADGBE11x234
8frEADGBE22143x
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
Dmaj7♯11
5frEADGBE11x234
EADGBE11xx3
2frEADGBEx4231
9frEADGBE111123
A♯7♯9♯5
A♯ - D - E♯# - G♯ - B♯#
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
Gmaj9
3frEADGBExx2314
EADGBE21
EADGBE111243
9frEADGBEx2143x
C9♯11
3frEADGBE111x23
EADGBE11x234
7frEADGBE111234
10frEADGBExx1234
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
E7♯9
EADGBE214
3frEADGBE312
6frEADGBEx2134x
9frEADGBE11123
D♯maj9
3frEADGBE1111x4
5frEADGBEx2143x
8frEADGBE1111x4
11frEADGBExx2314
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
D9♯11
4frEADGBE11x234
EADGBExx123
7frEADGBEx3142
9frEADGBE111234
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132

Explore More

Nacada in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to D# (descending minor third), D# to D (descending half step), D to A# (descending major third), A# to G# (descending whole step), G# to G (descending half step), G to C (ascending perfect fourth), C to B (descending half step), B to E (ascending perfect fourth), E to D# (descending half step), D# to C# (descending whole step), C# to A# (descending minor third), A# to A (descending half step), A to D (ascending perfect fourth), D to G# (ascending tritone), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to F# by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 11 bars · Form: A

Chords: F♯maj9, D♯m9, Dmaj7♯11, A♯7♯9♯5, G♯13, Gmaj9, C9♯11, Bm7♭5, E7♯9, D♯maj9, C♯maj7, A♯m7, Amaj7, D9♯11, G♯m7, C♯7.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#