Do Re MiC D E

Nacada

Metheny Pat4/4ballad
A♯maj9
F♯maj7♯11
D7♯9♯5
C13
Gmaj9
C13
F♯9♯11
F♯9♯11

Chord Diagrams — Nacada in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯maj9
5frEADGBE11243x
EADGBE1113x
3frEADGBE111143
6frEADGBE112234
Gm9
6frEADGBE11xx2
EADGBE2341
3frEADGBE111134
8frEADGBEx21344
F♯maj7♯11
6frEADGBE11x423
EADGBE111123
4frEADGBE11x234
9frEADGBE11x234
D7♯9♯5
D - F♯ - A♯ - C - F
C13
6frEADGBE222341
2frEADGBE44x213
3frEADGBE111134
8frEADGBE111324
Bmaj9
6frEADGBE11243x
EADGBE22143x
4frEADGBE11xx34
8frEADGBExx2143
E9♯11
6frEADGBE11x234
EADGBE12
3frEADGBE3142
11frEADGBE111234
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
G♯7♯9
5frEADGBE44xx31
EADGBE213334
4frEADGBE114432
10frEADGBEx2134x
Gmaj9
3frEADGBExx2314
EADGBE21
EADGBE111243
9frEADGBEx2143x
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
F♯9♯11
4frEADGBExx1234
EADGBE111234
8frEADGBE11x234
9frEADGBE111x23
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2

Explore More

Nacada in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to G (descending minor third), G to F# (descending half step), F# to D (descending major third), D to C (descending whole step), C to B (descending half step), B to E (ascending perfect fourth), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to G (descending half step), G to F (descending whole step), F to D (descending minor third), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 11 bars · Form: A

Chords: A♯maj9, Gm9, F♯maj7♯11, D7♯9♯5, C13, Bmaj9, E9♯11, D♯m7♭5, G♯7♯9, Gmaj9, Fmaj7, Dm7, C♯maj7, F♯9♯11, Cm7, F7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#