Do Re MiC D E

Nacada

Metheny Pat4/4ballad
Bmaj9
Gmaj7♯11
D♯7♯9♯5
C♯13
Cmaj9
F9♯11
G♯maj9
C♯13
G9♯11
G9♯11

Chord Diagrams — Nacada in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bmaj9
4frEADGBE11xx34
EADGBE22143x
6frEADGBE11243x
8frEADGBExx2143
G♯m9
4frEADGBE111134
EADGBE11143
7frEADGBE221341
9frEADGBEx21344
Gmaj7♯11
3frEADGBE111234
EADGBE111133
7frEADGBE11x423
10frEADGBE11x234
D♯7♯9♯5
D♯ - G - B - C♯ - E♯#
C♯13
EADGBEx4231
4frEADGBE111134
7frEADGBE222341
9frEADGBE111234
Cmaj9
EADGBEx3
EADGBE22143x
5frEADGBE11113
8frEADGBE11x234
F9♯11
3frEADGBExx1234
EADGBE123
7frEADGBE11x234
8frEADGBE111x23
Em7♭5
EADGBE33312
7frEADGBEx1324x
8frEADGBE11xx24
11frEADGBE2x341x
A7♯9
5frEADGBE114432
6frEADGBExx2134
8frEADGBEx4213
11frEADGBEx2134x
G♯maj9
4frEADGBE113224
EADGBE1111x4
3frEADGBE111243
10frEADGBE22143x
F♯maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
G9♯11
5frEADGBExx1234
EADGBE111234
9frEADGBE11x234
10frEADGBE111x23
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134

Explore More

Nacada in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to G# (descending minor third), G# to G (descending half step), G to D# (descending major third), D# to C# (descending whole step), C# to C (descending half step), C to F (ascending perfect fourth), F to E (descending half step), E to A (ascending perfect fourth), A to G# (descending half step), G# to F# (descending whole step), F# to D# (descending minor third), D# to D (descending half step), D to G (ascending perfect fourth), G to C# (ascending tritone), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 11 bars · Form: A

Chords: Bmaj9, G♯m9, Gmaj7♯11, D♯7♯9♯5, C♯13, Cmaj9, F9♯11, Em7♭5, A7♯9, G♯maj9, F♯maj7, D♯m7, Dmaj7, G9♯11, C♯m7, F♯7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B