Do Re MiC D E

Nacada

Metheny Pat4/4ballad
Amaj9
Fmaj7♯11
C♯7♯9♯5
A♯maj9
D♯9♯11
F♯maj9
B13
F9♯11
F9♯11

Chord Diagrams — Nacada in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Amaj9
4frEADGBE11243
EADGBE11x34
5frEADGBEx2314
11frEADGBE22143x
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
Fmaj7♯11
EADGBExx213
EADGBE12
5frEADGBE11x423
8frEADGBE11x234
C♯7♯9♯5
C♯ - F - A - B - E
B13
EADGBE111134
EADGBE44x213
4frEADGBE111432
7frEADGBE111234
A♯maj9
3frEADGBE111143
EADGBE1113x
5frEADGBE11243x
6frEADGBE112234
D♯9♯11
5frEADGBE11x234
EADGBExx1234
6frEADGBE11x23x
10frEADGBE111234
Dm7♭5
5frEADGBEx1324x
EADGBE111xx
3frEADGBE11x342
8frEADGBEx1432
G7♯9
4frEADGBE44x231
EADGBE3241
3frEADGBE114432
9frEADGBEx2134x
F♯maj9
3frEADGBExx2143
EADGBE111243
EADGBE11x234
8frEADGBE22143x
Emaj7
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
Cmaj7
3frEADGBE111324
EADGBE231
5frEADGBE111xx4
10frEADGBE333xx1
F9♯11
3frEADGBExx1234
EADGBE123
7frEADGBE11x234
8frEADGBE111x23
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2

Explore More

Nacada in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to F# (descending minor third), F# to F (descending half step), F to C# (descending major third), C# to B (descending whole step), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to D (descending half step), D to G (ascending perfect fourth), G to F# (descending half step), F# to E (descending whole step), E to C# (descending minor third), C# to C (descending half step), C to F (ascending perfect fourth), F to B (ascending tritone), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 11 bars · Form: A

Chords: Amaj9, F♯m9, Fmaj7♯11, C♯7♯9♯5, B13, A♯maj9, D♯9♯11, Dm7♭5, G7♯9, F♯maj9, Emaj7, C♯m7, Cmaj7, F9♯11, Bm7, E7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A