Do Re MiC D E

My Way

Revaux-Francois-Thibaud-Anka4/4ballad
G♯maj7/B
G♯7/B♭
A♯m7/C
D♯7/B
C♯/C
G♯maj7/G
Fm7/G
A♯m7/G
C♯/C
%
G♯maj7/B
G♯7/B♭
A♯m7/C

Chord Diagrams — My Way in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
G♯maj7/B
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
G♯7/B♭
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
A♯m7/C
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯7/B
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
C♯/C
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
C♯maj7
6frEADGBE11xxx3
EADGBE111x43
4frEADGBE111324
9frEADGBE1x342x
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
G♯maj7/G
6frEADGBE11x333
4frEADGBE111423
9frEADGBEx3241x
11frEADGBE111324
Fm7/G
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
A♯m7/G
8frEADGBE11x423
EADGBE111x32
EADGBExx2314
6frEADGBE111113
D♯7
8frEADGBE111xx2
EADGBExx1324
6frEADGBE111x34
11frEADGBE111132
C♯/G
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
C♯maj7/E
6frEADGBE11xxx3
EADGBE111x43
4frEADGBE111324
9frEADGBE1x342x
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314

Explore More

My Way in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G# (ascending unison), G# to G# (ascending unison), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to G# (descending perfect fourth), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to C# (ascending unison), C# to C (descending half step), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to G# by minor third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 44 bars · Form: AB

Chords: G♯, G♯maj7/B, G♯7/B♭, F7, A♯m7, A♯m7/C, D♯7/B, C♯/C, G♯maj7, D♯m7, G♯7, C♯maj7, C♯m7, G♯maj7/G, Fm7/G, A♯m7/G, D♯7, C♯/G, C♯maj7/E, Cm7, Fm7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#