Do Re MiC D E

My Way

Revaux-Francois-Thibaud-Anka4/4ballad
Amaj7/B
A7/B♭
Bm7/C
E7/B
D/C
Amaj7/G
F♯m7/G
Bm7/G
D/C
%
Amaj7/B
A7/B♭
Bm7/C
E7/B
D/C
Amaj7/G
F♯m7/G
Bm7/G
D/C
D/G
Dmaj7/E
D/C
D/G

Chord Diagrams — My Way in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
Amaj7/B
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
A7/B♭
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
Bm7/C
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
E7/B
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
D/C
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
A7
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
Dmaj7
7frEADGBE111xx4
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
Amaj7/G
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
F♯m7/G
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Bm7/G
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
D/G
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
Dmaj7/E
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314

Explore More

My Way in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to A (ascending unison), A to F# (descending minor third), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to D (descending whole step), D to A (descending perfect fourth), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to A (descending perfect fourth), A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to D (descending whole step), D to D (ascending unison), D to C# (descending half step), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to A by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 44 bars · Form: AB

Chords: A, Amaj7/B, A7/B♭, F♯7, Bm7, Bm7/C, E7/B, D/C, Amaj7, Em7, A7, Dmaj7, Dm7, Amaj7/G, F♯m7/G, Bm7/G, E7, D/G, Dmaj7/E, C♯m7, F♯m7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A