Do Re MiC D E

My Way

Revaux-Francois-Thibaud-Anka4/4ballad
F♯maj7/B
F♯7/B♭
G♯m7/C
C♯7/B
B/C
F♯maj7/G
D♯m7/G
G♯m7/G
B/C
%
F♯maj7/B
F♯7/B♭
G♯m7/C

Chord Diagrams — My Way in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
F♯maj7/B
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
F♯7/B♭
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
G♯m7/C
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
C♯7/B
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
B/C
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
F♯maj7
6frEADGBE111x43
EADGBE111423
4frEADGBE11x333
9frEADGBE111324
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
F♯maj7/G
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
D♯m7/G
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯m7/G
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
B/G
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
Bmaj7/E
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
A♯m7
8frEADGBE11x423
EADGBE111x32
EADGBExx2314
6frEADGBE111113
D♯m7
7frEADGBExx2314
EADGBExx1423
6frEADGBE111132
11frEADGBE111114

Explore More

My Way in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to F# (ascending unison), F# to F# (ascending unison), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to B (descending whole step), B to F# (descending perfect fourth), F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to F# (descending perfect fourth), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to B (descending whole step), B to B (ascending unison), B to A# (descending half step), A# to D# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to F# by minor third.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 44 bars · Form: AB

Chords: F♯, F♯maj7/B, F♯7/B♭, D♯7, G♯m7, G♯m7/C, C♯7/B, B/C, F♯maj7, C♯m7, F♯7, Bmaj7, Bm7, F♯maj7/G, D♯m7/G, G♯m7/G, C♯7, B/G, Bmaj7/E, A♯m7, D♯m7.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#