Do Re MiC D E

My Way

Revaux-Francois-Thibaud-Anka4/4ballad
Cmaj7/B
C7/B♭
Dm7/C
G7/B
F/C
Cmaj7/G
Am7/G
Dm7/G
F/C
%
Cmaj7/B
C7/B♭
Dm7/C
G7/B
F/C
Cmaj7/G
Am7/G
Dm7/G
F/C
F/G
Fmaj7/E
F/C
F/G

Chord Diagrams — My Way in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
Cmaj7/B
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
C7/B♭
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Dm7/C
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
G7/B
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
F/C
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Cmaj7/G
3frEADGBE111324
EADGBE231
5frEADGBE111xx4
10frEADGBE333xx1
Am7/G
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Dm7/G
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
F/G
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
Fmaj7/E
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423

Explore More

My Way in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to C (ascending unison), C to C (ascending unison), C to A (descending minor third), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to F (descending whole step), F to C (descending perfect fourth), C to G (descending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to C (descending perfect fourth), C to A (descending minor third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to F (descending whole step), F to F (ascending unison), F to E (descending half step), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to C by minor third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 44 bars · Form: AB

Chords: C, Cmaj7/B, C7/B♭, A7, Dm7, Dm7/C, G7/B, F/C, Cmaj7, Gm7, C7, Fmaj7, Fm7, Cmaj7/G, Am7/G, Dm7/G, G7, F/G, Fmaj7/E, Em7, Am7.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C