More Than You Know in C

Vincent Youmans / Billy Rose / Edward Eliscu(1929)swing
Do Re MiC D E
A
B
C

Chord Diagrams — More Than You Know in C (Guitar)

Display
FingerNoteDegree
Cm
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
Am7♭5
EADGBEx23x
4frEADGBE2x341x5frEADGBE1112347frEADGBE222xx1
Baug7
EADGBEx2134
2frEADGBEx2137frEADGBE1x234x9frEADGBExx1423
G♯7♯11
3frEADGBE2x341x
6frEADGBExx123410frEADGBE11x23411frEADGBE111x23
G7♭9
EADGBE11324
EADGBE111x234frEADGBE11xx239frEADGBE11x234
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Gaug7
EADGBE4312
EADGBE1x234x5frEADGBExx142310frEADGBE11x432
C6
EADGBEx4231
3frEADGBE3333x17frEADGBE2x143x8frEADGBE11x324
Gm9
EADGBE2341
3frEADGBE1111346frEADGBE11xx28frEADGBE2222x1
C7♭9
EADGBE11x234
6frEADGBE3241xx8frEADGBE111x239frEADGBExx3142
FMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
A7♭9
EADGBE11x23
5frEADGBE1114236frEADGBE11xx2311frEADGBE11x234
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
Dm9/G
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
F9
EADGBE111324
EADGBExx21437frEADGBE22222110frEADGBE1111x2
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
B7♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
A7sus4
EADGBEx23
5frEADGBE1111347frEADGBEx132410frEADGBE11x234
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
D7sus4
EADGBExx214
3frEADGBEx2341x5frEADGBE11113410frEADGBE111134

More Than You Know in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to A (descending minor third), A to B (ascending whole step), B to G# (descending minor third), G# to G (descending half step), G to A# (ascending minor third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to G# (ascending tritone), G# to G (descending half step), G to C (ascending perfect fourth), C to G (descending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to E (descending half step), E to A (ascending perfect fourth), A to F (descending major third), F to A# (ascending perfect fourth), A# to D (ascending major third), D to D (ascending unison), D to G (ascending perfect fourth), G to F (descending whole step), F to F# (ascending half step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to C# (descending minor third), C# to D (ascending half step), D to G (ascending perfect fourth), G to A (ascending whole step), A to A (ascending unison), A to D (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to C by whole step.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 38 bars · Form: ABC

Chords: Cm, Am7♭5, Baug7, G♯7♯11, G7♭9, A♯m7, D♯7, G♯Maj7, Dm7, G♯7, Gaug7, C6, Gm9, C7♭9, FMaj7, Em7, A7♭9, Fm7, A♯7, Dm9, Dm9/G, G7, F9, F♯m7♭5, B7♭9, Em, C♯m7♭5, D7, GMaj7, A7sus4, A7, D7sus4.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C