Do Re MiC D E

More Than You Know

Vincent Youmans / Billy Rose / Edward Eliscu(1929)4/4ballad

Chord Diagrams — More Than You Know in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am7♭5
4frEADGBE2x341x
EADGBEx23x
5frEADGBE111234
7frEADGBE222xx1
Cm
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134
Baug7
2frEADGBEx213
EADGBEx2134
7frEADGBE1x234x
9frEADGBExx1423
G7♭9
EADGBE111x23
EADGBE11324
4frEADGBE11xx23
9frEADGBE11x234
G♯7♯11
3frEADGBE2x341x
6frEADGBExx1234
10frEADGBE11x234
11frEADGBE111x23
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
A♯m7
EADGBE111x32
EADGBExx2314
6frEADGBE111113
8frEADGBE11x423
G♯Maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
Gaug7
EADGBE1x234x
EADGBE4312
5frEADGBExx1423
10frEADGBE11x432
C6
3frEADGBE3333x1
EADGBEx4231
7frEADGBE2x143x
8frEADGBE11x324
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
Gm9
EADGBE2341
3frEADGBE111134
6frEADGBE11xx2
8frEADGBEx21344
A7♭9
EADGBE11x23
5frEADGBE111423
6frEADGBE11xx23
11frEADGBE11x234
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
FMaj7
EADGBExx321
EADGBE111423
3frEADGBE11x333
8frEADGBE111324
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
Dm9
EADGBE132
3frEADGBEx21344
5frEADGBEx1423
10frEADGBE111134
Dm9/G
EADGBE132
3frEADGBEx21344
5frEADGBEx1423
10frEADGBE111134
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
F9
EADGBE111324
EADGBExx2143
7frEADGBE221334
10frEADGBE1111x2
B7♭9
EADGBE11x234
5frEADGBE3241xx
7frEADGBE111x23
8frEADGBE11xx23
F♯m7♭5
EADGBE2341
4frEADGBE222xx1
9frEADGBEx1324x
10frEADGBE11xx24
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx24
8frEADGBE2x341x
11frEADGBE222xx1
Em
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
D7
3frEADGBEx3241x
EADGBExx213
5frEADGBE111134
10frEADGBE111132
GMaj7
3frEADGBE111423
EADGBE321
5frEADGBE11333x
10frEADGBE11x324
D7sus4
3frEADGBEx2341x
EADGBExx214
5frEADGBE111134
10frEADGBE111134
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
A7sus4
5frEADGBE111134
EADGBEx23
7frEADGBEx1324
10frEADGBE11x234

Explore More

More Than You Know in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to C (ascending minor third), C to B (descending half step), B to G (descending major third), G to G# (ascending half step), G# to D# (descending perfect fourth), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to D (ascending tritone), D to G# (ascending tritone), G# to G (descending half step), G to C (ascending perfect fourth), C to C (ascending unison), C to G (descending perfect fourth), G to A (ascending whole step), A to E (descending perfect fourth), E to F (ascending half step), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to D (descending minor third), D to D (ascending unison), D to G (ascending perfect fourth), G to F (descending whole step), F to B (ascending tritone), B to F# (descending perfect fourth), F# to C# (descending perfect fourth), C# to E (ascending minor third), E to D (descending whole step), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to A (descending perfect fourth), A to A (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 38 bars · Form: ABC

Chords: Am7♭5, Cm, Baug7, G7♭9, G♯7♯11, D♯7, A♯m7, G♯Maj7, Dm7, G♯7, Gaug7, C6, C7♭9, Gm9, A7♭9, Em7, FMaj7, A♯7, Fm7, Dm9, Dm9/G, G7, F9, B7♭9, F♯m7♭5, C♯m7♭5, Em, D7, GMaj7, D7sus4, A7, A7sus4.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C