More Than You Know in C#

Vincent Youmans / Billy Rose / Edward Eliscu(1929)swing
Do Re MiC D E
A
B
C

Chord Diagrams — More Than You Know in C# (Guitar)

Display
FingerNoteDegree
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
A♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
Caug7
EADGBEx213x4
3frEADGBE11x4328frEADGBE1x23410frEADGBExx1423
A7♯11
EADGBEx13
4frEADGBE1112347frEADGBExx123411frEADGBE11x234
G♯7♭9
EADGBE111x2
4frEADGBE11xx235frEADGBE11xx2310frEADGBE11x234
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
G♯aug7
4frEADGBE1x234
6frEADGBExx14239frEADGBEx324111frEADGBE11x432
C♯6
EADGBEx4231x
4frEADGBE3333x16frEADGBE1114239frEADGBE11x324
G♯m9
EADGBE11143
4frEADGBE1111347frEADGBE2213419frEADGBE2222x1
C♯7♭9
EADGBE11x234
4frEADGBEx12347frEADGBE3241x9frEADGBExx1324
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
D♯m9
4frEADGBE2222x1
7frEADGBExx24139frEADGBE333x1211frEADGBE111134
D♯m9/G♯
4frEADGBE2222x1
7frEADGBExx24139frEADGBE333x1211frEADGBE111134
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
Gm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
C7♭9
EADGBE11x234
6frEADGBE3241xx8frEADGBE111x239frEADGBExx3142
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
Dm7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
A♯7sus4
EADGBE111x34
EADGBE1122xx6frEADGBE1111348frEADGBExx1324
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯7sus4
EADGBExx1324
4frEADGBE11x2346frEADGBE11113411frEADGBE111134

More Than You Know in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to A# (descending minor third), A# to C (ascending whole step), C to A (descending minor third), A to G# (descending half step), G# to B (ascending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to A (ascending tritone), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F (descending half step), F to A# (ascending perfect fourth), A# to F# (descending major third), F# to B (ascending perfect fourth), B to D# (ascending major third), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to G (ascending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to D (descending minor third), D to D# (ascending half step), D# to G# (ascending perfect fourth), G# to A# (ascending whole step), A# to A# (ascending unison), A# to D# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to C# by whole step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 38 bars · Form: ABC

Chords: C♯m, A♯m7♭5, Caug7, A7♯11, G♯7♭9, Bm7, E7, AMaj7, D♯m7, A7, G♯aug7, C♯6, G♯m9, C♯7♭9, F♯Maj7, Fm7, A♯7♭9, F♯m7, B7, D♯m9, D♯m9/G♯, G♯7, F♯9, Gm7♭5, C7♭9, Fm, Dm7♭5, D♯7, G♯Maj7, A♯7sus4, A♯7, D♯7sus4.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#