Do Re MiC D E

More Than You Know

Vincent Youmans / Billy Rose / Edward Eliscu(1929)4/4ballad

Chord Diagrams — More Than You Know in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯m7♭5
5frEADGBE2x341x
EADGBEx1324x
EADGBE11xx24
8frEADGBE222xx1
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
Caug7
3frEADGBE11x432
EADGBEx213x4
8frEADGBE1x234
10frEADGBExx1423
G♯7♭9
4frEADGBE11xx23
EADGBE111x2
5frEADGBE11xx23
10frEADGBE11x234
A7♯11
4frEADGBE111234
EADGBEx13
7frEADGBExx1234
11frEADGBE11x234
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
AMaj7
7frEADGBE333x1
EADGBEx213
EADGBE111x4
5frEADGBE111423
D♯m7
7frEADGBExx2314
EADGBExx1423
6frEADGBE111132
11frEADGBE111114
A7
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
G♯aug7
6frEADGBExx1423
4frEADGBE1x234
9frEADGBEx3241
11frEADGBE11x432
C♯6
6frEADGBE111423
EADGBEx4231x
4frEADGBE3333x1
9frEADGBE11x324
C♯7♭9
7frEADGBE3241x
EADGBE11x234
4frEADGBEx1234
9frEADGBExx1324
G♯m9
7frEADGBE221341
EADGBE11143
4frEADGBE111134
9frEADGBEx21344
A♯7♭9
6frEADGBE111x23
EADGBEx123
4frEADGBE3241xx
12frEADGBE11x234
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
F♯Maj7
9frEADGBE111324
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
B7
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
D♯m9
9frEADGBEx13244
4frEADGBEx21344
7frEADGBExx2413
11frEADGBE111134
D♯m9/G
9frEADGBEx13244
4frEADGBEx21344
7frEADGBExx2413
11frEADGBE111134
G♯7
11frEADGBE111134
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
F♯9
11frEADGBE1111x2
EADGBE111324
3frEADGBExx2143
8frEADGBE221334
C7♭9
9frEADGBExx3142
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
Gm7♭5
10frEADGBEx1324x
EADGBE3xx421
EADGBE2x341x
5frEADGBE222xx1
Dm7♭5
8frEADGBEx1432
EADGBE111xx
3frEADGBE11x342
5frEADGBEx1324x
Fm
8frEADGBE111342
EADGBE111134
3frEADGBExx1342
10frEADGBE1142xx
D♯7
8frEADGBE111xx2
EADGBExx1324
6frEADGBE111x34
11frEADGBE111132
G♯Maj7
6frEADGBE11x333
4frEADGBE111423
9frEADGBEx3241x
11frEADGBE111324
D♯7sus4
6frEADGBE111134
EADGBExx1324
4frEADGBE11x234
11frEADGBE111134
A♯7
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
A♯7sus4
6frEADGBE111134
EADGBE111x34
EADGBE1122xx
8frEADGBExx1324

Explore More

More Than You Know in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to C# (ascending minor third), C# to C (descending half step), C to G# (descending major third), G# to A (ascending half step), A to E (descending perfect fourth), E to B (descending perfect fourth), B to A (descending whole step), A to D# (ascending tritone), D# to A (ascending tritone), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to A# (ascending whole step), A# to F (descending perfect fourth), F to F# (ascending half step), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to D# (descending minor third), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to C (ascending tritone), C to G (descending perfect fourth), G to D (descending perfect fourth), D to F (ascending minor third), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to A# (descending perfect fourth), A# to A# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 38 bars · Form: ABC

Chords: A♯m7♭5, C♯m, Caug7, G♯7♭9, A7♯11, E7, Bm7, AMaj7, D♯m7, A7, G♯aug7, C♯6, C♯7♭9, G♯m9, A♯7♭9, Fm7, F♯Maj7, B7, F♯m7, D♯m9, D♯m9/G, G♯7, F♯9, C7♭9, Gm7♭5, Dm7♭5, Fm, D♯7, G♯Maj7, D♯7sus4, A♯7, A♯7sus4.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#