Do Re MiC D E

More Than You Know

Vincent Youmans / Billy Rose / Edward Eliscu(1929)4/4ballad

Chord Diagrams — More Than You Know in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx24
8frEADGBE2x341x
11frEADGBE222xx1
Em
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
D♯aug7
EADGBExx1423
6frEADGBE11x432
9frEADGBE3241
11frEADGBE1x234x
B7♭9
EADGBE11x234
5frEADGBE3241xx
7frEADGBE111x23
8frEADGBE11xx23
C7♯11
EADGBE11x234
3frEADGBE111x23
7frEADGBE111234
10frEADGBExx1234
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
CMaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
C7
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
8frEADGBE111132
Baug7
EADGBEx2134
2frEADGBEx213
7frEADGBE1x234x
9frEADGBExx1423
E6
EADGBE2314
EADGBE11134
5frEADGBEx4231x
7frEADGBE3333x1
E7♭9
EADGBE312
4frEADGBE1134
6frEADGBE11x234
10frEADGBE3241xx
Bm9
EADGBEx1234
3frEADGBE222x14
7frEADGBE111134
10frEADGBE112234
C♯7♭9
EADGBE11x234
4frEADGBEx1234
7frEADGBE3241x
9frEADGBExx1324
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
AMaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
F♯m9/G
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
A9
EADGBE11x32
2frEADGBE431
5frEADGBE111324
11frEADGBEx21333
D♯7♭9
EADGBExx24
5frEADGBE11x234
6frEADGBE11x34
9frEADGBE3241xx
A♯m7♭5
EADGBEx1324x
EADGBE11xx24
5frEADGBE2x341x
8frEADGBE222xx1
Fm7♭5
EADGBE1x23x
EADGBE222xx1
8frEADGBEx1324x
11frEADGBE2134x
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
BMaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
F♯7sus4
4frEADGBExx1324
EADGBE111134
7frEADGBE11x234
9frEADGBE111134
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
C♯7sus4
4frEADGBE111134
EADGBE11x234
6frEADGBExxx123
9frEADGBE111134

Explore More

More Than You Know in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C# to E (ascending minor third), E to D# (descending half step), D# to B (descending major third), B to C (ascending half step), C to G (descending perfect fourth), G to D (descending perfect fourth), D to C (descending whole step), C to F# (ascending tritone), F# to C (ascending tritone), C to B (descending half step), B to E (ascending perfect fourth), E to E (ascending unison), E to B (descending perfect fourth), B to C# (ascending whole step), C# to G# (descending perfect fourth), G# to A (ascending half step), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to F# (descending minor third), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to A (descending whole step), A to D# (ascending tritone), D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to G# (ascending minor third), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to C# (descending perfect fourth), C# to C# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to C# by unison.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 38 bars · Form: ABC

Chords: C♯m7♭5, Em, D♯aug7, B7♭9, C7♯11, G7, Dm7, CMaj7, F♯m7, C7, Baug7, E6, E7♭9, Bm9, C♯7♭9, G♯m7, AMaj7, D7, Am7, F♯m9, F♯m9/G, B7, A9, D♯7♭9, A♯m7♭5, Fm7♭5, G♯m, F♯7, BMaj7, F♯7sus4, C♯7, C♯7sus4.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E