Do Re MiC D E

More Than You Know

Vincent Youmans / Billy Rose / Edward Eliscu(1929)4/4ballad

Chord Diagrams — More Than You Know in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m7♭5
4frEADGBE222xx1
EADGBE2341
9frEADGBEx1324x
10frEADGBE11xx24
Am
2frEADGBE444x1
EADGBEx231
5frEADGBE111134
7frEADGBEx1342
G♯aug7
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
E7♭9
4frEADGBE1134
EADGBE312
6frEADGBE11x234
10frEADGBE3241xx
F7♯11
3frEADGBExx1234
EADGBE123
7frEADGBE11x234
8frEADGBE111x23
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
FMaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
Eaug7
2frEADGBExx1423
EADGBE412
7frEADGBE11x432
12frEADGBE1x234x
A6
EADGBE1111x
4frEADGBE2x143x
5frEADGBE113x24
10frEADGBEx4231x
A7♭9
EADGBE11x23
5frEADGBE111423
6frEADGBE11xx23
11frEADGBE11x234
Em9
EADGBE1243
EADGBE24
5frEADGBEx21344
10frEADGBE11324
F♯7♭9
EADGBE2134
3frEADGBE11xx23
8frEADGBE11x234
12frEADGBE3241xx
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
DMaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Bm9
3frEADGBE222x14
EADGBEx1234
7frEADGBE111134
10frEADGBE112234
Bm9/G
3frEADGBE222x14
EADGBEx1234
7frEADGBE111134
10frEADGBE112234
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
D9
7frEADGBEx1234
4frEADGBE221334
9frEADGBE11234x
10frEADGBE111324
G♯7♭9
5frEADGBE11xx23
EADGBE111x2
4frEADGBE11xx23
10frEADGBE11x234
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
A♯m7♭5
5frEADGBE2x341x
EADGBEx1324x
EADGBE11xx24
8frEADGBE222xx1
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
EMaj7
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
B7sus4
2frEADGBE111134
EADGBEx123
4frEADGBE1122xx
7frEADGBE111134
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
F♯7sus4
EADGBE111134
4frEADGBExx1324
7frEADGBE11x234
9frEADGBE111134

Explore More

More Than You Know in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to A (ascending minor third), A to G# (descending half step), G# to E (descending major third), E to F (ascending half step), F to C (descending perfect fourth), C to G (descending perfect fourth), G to F (descending whole step), F to B (ascending tritone), B to F (ascending tritone), F to E (descending half step), E to A (ascending perfect fourth), A to A (ascending unison), A to E (descending perfect fourth), E to F# (ascending whole step), F# to C# (descending perfect fourth), C# to D (ascending half step), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to B (descending minor third), B to B (ascending unison), B to E (ascending perfect fourth), E to D (descending whole step), D to G# (ascending tritone), G# to D# (descending perfect fourth), D# to A# (descending perfect fourth), A# to C# (ascending minor third), C# to B (descending whole step), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to F# (descending perfect fourth), F# to F# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to F# by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 38 bars · Form: ABC

Chords: F♯m7♭5, Am, G♯aug7, E7♭9, F7♯11, C7, Gm7, FMaj7, Bm7, F7, Eaug7, A6, A7♭9, Em9, F♯7♭9, C♯m7, DMaj7, G7, Dm7, Bm9, Bm9/G, E7, D9, G♯7♭9, D♯m7♭5, A♯m7♭5, C♯m, B7, EMaj7, B7sus4, F♯7, F♯7sus4.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A