Do Re MiC D E

Limbo

Shorter Wayne4/4waltz
A♯7sus4
A7sus4
D7sus4
B/A♭
%
A♯7sus4
Bmaj7♯11
A♯maj7♯11
Amaj7♯11
G♯maj7♯11

Chord Diagrams — Limbo in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
A♯7sus4
6frEADGBE111134
EADGBE111x34
EADGBE1122xx
8frEADGBExx1324
Emaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
A7sus4
7frEADGBEx1324
EADGBEx23
5frEADGBE111134
10frEADGBE11x234
D7sus4
10frEADGBE111134
EADGBExx214
3frEADGBEx2341x
5frEADGBE111134
F♯maj7
9frEADGBE111324
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
B/A♭
9frEADGBE11x243
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
Cmaj7
10frEADGBE333xx1
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
A♯maj7
8frEADGBE11333x
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
Bmaj7♯11
7frEADGBE111234
EADGBE11x234
6frEADGBE111123
11frEADGBE11x423
A♯maj7♯11
6frEADGBE111234
EADGBE11x234
5frEADGBE111123
10frEADGBE11x423
Amaj7♯11
6frEADGBE11x34
EADGBEx2134
4frEADGBE111123
9frEADGBE11x423
G♯maj7♯11
4frEADGBE111234
EADGBE111123
8frEADGBE11x423
11frEADGBE11x234
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
F♯7♯11
EADGBE111234
4frEADGBExx1234
8frEADGBE11x234
9frEADGBE111x23

Explore More

Limbo in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to A# (ascending minor third), A# to E (ascending tritone), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to F# (ascending major third), F# to B (ascending perfect fourth), B to C (ascending half step), C to A# (descending whole step), A# to B (ascending half step), B to A# (descending half step), A# to A (descending half step), A to G# (descending half step), G# to F (descending minor third), F to C# (descending major third), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to G by half step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 17 bars · Form: A

Chords: Gm7, A♯7sus4, Emaj7, A7sus4, D7sus4, F♯maj7, B/A♭, Cmaj7, A♯maj7, Bmaj7♯11, A♯maj7♯11, Amaj7♯11, G♯maj7♯11, Fm7, C♯7, F♯7♯11.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E