Do Re MiC D E

Limbo

Shorter Wayne4/4waltz
F7sus4
E7sus4
A7sus4
F♯/A♭
%
F7sus4
F♯maj7♯11
Fmaj7♯11
Emaj7♯11
D♯maj7♯11

Chord Diagrams — Limbo in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
F7sus4
6frEADGBE111234
EADGBE111134
8frEADGBE111134
10frEADGBE11xx34
Bmaj7
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
E7sus4
7frEADGBE111134
EADGBE23
5frEADGBE11x234
9frEADGBE11xx23
A7sus4
7frEADGBEx1324
EADGBEx23
5frEADGBE111134
10frEADGBE11x234
C♯maj7
9frEADGBE1x342x
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
F♯/A♭
9frEADGBE111234
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
Gmaj7
10frEADGBE11x324
EADGBE321
3frEADGBE111423
5frEADGBE11333x
Fmaj7
8frEADGBE111324
EADGBExx321
EADGBE111423
3frEADGBE11x333
F♯maj7♯11
9frEADGBE11x234
EADGBE111123
4frEADGBE11x234
6frEADGBE11x423
Fmaj7♯11
8frEADGBE11x234
EADGBE12
EADGBExx213
5frEADGBE11x423
Emaj7♯11
7frEADGBE11x234
EADGBE11234
4frEADGBE11x423
11frEADGBE111123
D♯maj7♯11
6frEADGBE11x234
EADGBEx314x
3frEADGBE11x423
10frEADGBE111123
Cm7
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
C♯7♯11
8frEADGBE111234
EADGBEx213
4frEADGBE111x23
9frEADGBE111123

Explore More

Limbo in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through D to F (ascending minor third), F to B (ascending tritone), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to G (ascending half step), G to F (descending whole step), F to F# (ascending half step), F# to F (descending half step), F to E (descending half step), E to D# (descending half step), D# to C (descending minor third), C to G# (descending major third), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to D by half step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 17 bars · Form: A

Chords: Dm7, F7sus4, Bmaj7, E7sus4, A7sus4, C♯maj7, F♯/A♭, Gmaj7, Fmaj7, F♯maj7♯11, Fmaj7♯11, Emaj7♯11, D♯maj7♯11, Cm7, G♯7, C♯7♯11.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B