Do Re MiC D E

Limbo

Shorter Wayne4/4waltz
E7sus4
D♯7sus4
G♯7sus4
F/A♭
%
E7sus4
Fmaj7♯11
Emaj7♯11
D♯maj7♯11
Dmaj7♯11

Chord Diagrams — Limbo in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
E7sus4
5frEADGBE11x234
EADGBE23
7frEADGBE111134
9frEADGBE11xx23
A♯maj7
6frEADGBE111423
EADGBE11x324
3frEADGBE111xx4
8frEADGBE11333x
D♯7sus4
6frEADGBE111134
EADGBExx1324
4frEADGBE11x234
11frEADGBE111134
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
F/A♭
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
F♯maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
Emaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
Fmaj7♯11
5frEADGBE11x423
EADGBE12
EADGBExx213
8frEADGBE11x234
Emaj7♯11
4frEADGBE11x423
EADGBE11234
7frEADGBE11x234
11frEADGBE111123
D♯maj7♯11
3frEADGBE11x423
EADGBEx314x
6frEADGBE11x234
10frEADGBE111123
Dmaj7♯11
2frEADGBEx4231
EADGBE11xx3
5frEADGBE11x234
9frEADGBE111123
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
G7
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
C7♯11
3frEADGBE111x23
EADGBE11x234
7frEADGBE111234
10frEADGBExx1234

Explore More

Limbo in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to E (ascending minor third), E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to F (ascending perfect fourth), F to F# (ascending half step), F# to E (descending whole step), E to F (ascending half step), F to E (descending half step), E to D# (descending half step), D# to D (descending half step), D to B (descending minor third), B to G (descending major third), G to C (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to C# by half step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 17 bars · Form: A

Chords: C♯m7, E7sus4, A♯maj7, D♯7sus4, G♯7sus4, Cmaj7, F/A♭, F♯maj7, Emaj7, Fmaj7♯11, Emaj7♯11, D♯maj7♯11, Dmaj7♯11, Bm7, G7, C7♯11.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#