Do Re MiC D E

Limbo

Shorter Wayne4/4waltz
D♯7sus4
D7sus4
G7sus4
E/A♭
%
D♯7sus4
Emaj7♯11
D♯maj7♯11
Dmaj7♯11
C♯maj7♯11

Chord Diagrams — Limbo in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
D♯7sus4
4frEADGBE11x234
EADGBExx1324
6frEADGBE111134
11frEADGBE111134
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
D7sus4
5frEADGBE111134
EADGBExx214
3frEADGBEx2341x
10frEADGBE111134
G7sus4
3frEADGBE111134
EADGBE1123
8frEADGBE11x234
10frEADGBE111134
Bmaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
E/A♭
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
D♯maj7
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
Emaj7♯11
4frEADGBE11x423
EADGBE11234
7frEADGBE11x234
11frEADGBE111123
D♯maj7♯11
3frEADGBE11x423
EADGBEx314x
6frEADGBE11x234
10frEADGBE111123
Dmaj7♯11
2frEADGBEx4231
EADGBE11xx3
5frEADGBE11x234
9frEADGBE111123
C♯maj7♯11
4frEADGBE11x234
EADGBEx42311
8frEADGBE111123
9frEADGBE111234
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
B7♯11
6frEADGBE2x341x
EADGBE11x234
EADGBE111x23
9frEADGBExx1234

Explore More

Limbo in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to D# (ascending minor third), D# to A (ascending tritone), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to B (ascending major third), B to E (ascending perfect fourth), E to F (ascending half step), F to D# (descending whole step), D# to E (ascending half step), E to D# (descending half step), D# to D (descending half step), D to C# (descending half step), C# to A# (descending minor third), A# to F# (descending major third), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to C by half step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 17 bars · Form: A

Chords: Cm7, D♯7sus4, Amaj7, D7sus4, G7sus4, Bmaj7, E/A♭, Fmaj7, D♯maj7, Emaj7♯11, D♯maj7♯11, Dmaj7♯11, C♯maj7♯11, A♯m7, F♯7, B7♯11.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A