Do Re MiC D E

Just In Tune

Abercrombie John4/4medium-up-swing
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Bmaj7♯11
Dmaj7♯11
F♯7sus4
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Chord Diagrams — Just In Tune in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
G♯m7♭5
EADGBE2x341x
EADGBExx13
6frEADGBE222xx1
11frEADGBEx1324x
C♯7♭9
EADGBE11x234
4frEADGBEx1234
7frEADGBE3241x
9frEADGBExx1324
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
F♯m7/B♭
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
E/D
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
G♯m/C
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
Emaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
Fm7♭5
EADGBE222xx1
EADGBE1x23x
8frEADGBEx1324x
11frEADGBE2134x
A♯7♭9
4frEADGBE3241xx
EADGBEx123
6frEADGBE111x23
12frEADGBE11x234
Bmaj7♯11
6frEADGBE111123
EADGBE11x234
7frEADGBE111234
11frEADGBE11x423
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
Dmaj7♯11
5frEADGBE11x234
EADGBE11xx3
2frEADGBEx4231
9frEADGBE111123
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
F♯7sus4
4frEADGBExx1324
EADGBE111134
7frEADGBE11x234
9frEADGBE111134

Explore More

Just In Tune in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to E (descending major third), E to G# (ascending major third), G# to E (descending major third), E to F (ascending half step), F to A# (ascending perfect fourth), A# to B (ascending half step), B to A (descending whole step), A to D (ascending perfect fourth), D to C# (descending half step), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to G# by whole step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 32 bars · Form: ABC

Chords: G♯7sus4, G♯m7♭5, C♯7♭9, F♯m7, F♯m7/B♭, D♯m7, G♯m, E/D, G♯m/C, Emaj7, Fm7♭5, A♯7♭9, Bmaj7♯11, Amaj7, Dmaj7♯11, C♯m7, F♯7sus4.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#