Do Re MiC D E

Just In Tune

Abercrombie John4/4medium-up-swing
C7sus4
%
A♯m7/B♭
%
G♯/D
G♯/D
Cm/C
C7sus4
%
A♯m7/B♭
%
D♯maj7♯11
F♯maj7♯11
A♯7sus4
%
%
%

Chord Diagrams — Just In Tune in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C7sus4
5frEADGBE11xx23
EADGBE11x234
3frEADGBE111134
8frEADGBE111134
Cm7♭5
4frEADGBE11xx24
EADGBEx1324x
8frEADGBE111234
10frEADGBE333xx1
F7♭9
EADGBE11xx23
EADGBE111423
7frEADGBE11x234
11frEADGBE3241xx
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
A♯m7/B♭
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Cm
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134
G♯/D
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
Cm/C
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Am7♭5
4frEADGBE2x341x
EADGBEx23x
5frEADGBE111234
7frEADGBE222xx1
D7♭9
4frEADGBE11x234
2frEADGBExx431
5frEADGBE11x24
8frEADGBE3241xx
D♯maj7♯11
3frEADGBE11x423
EADGBEx314x
6frEADGBE11x234
10frEADGBE111123
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
F♯maj7♯11
4frEADGBE11x234
EADGBE111123
6frEADGBE11x423
9frEADGBE11x234
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯7sus4
EADGBE1122xx
EADGBE111x34
6frEADGBE111134
8frEADGBExx1324

Explore More

Just In Tune in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to C (ascending unison), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to G (descending minor third), G to C (ascending perfect fourth), C to G# (descending major third), G# to C (ascending major third), C to G# (descending major third), G# to A (ascending half step), A to D (ascending perfect fourth), D to D# (ascending half step), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to F (descending half step), F to A# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to C by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 32 bars · Form: ABC

Chords: C7sus4, Cm7♭5, F7♭9, A♯m7, A♯m7/B♭, Gm7, Cm, G♯/D, Cm/C, G♯maj7, Am7♭5, D7♭9, D♯maj7♯11, C♯maj7, F♯maj7♯11, Fm7, A♯7sus4.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#