Do Re MiC D E

Just In Tune

Abercrombie John4/4medium-up-swing
B7sus4
%
Am7/B♭
%
G/D
%
Dmaj7♯11
Fmaj7♯11
A7sus4
%
%
%

Chord Diagrams — Just In Tune in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B7sus4
4frEADGBE1122xx
EADGBEx123
2frEADGBE111134
7frEADGBE111134
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
E7♭9
EADGBE312
4frEADGBE1134
6frEADGBE11x234
10frEADGBE3241xx
Am7
EADGBEx21
EADGBEx2314
5frEADGBE111113
7frEADGBE11x423
Am7/B♭
EADGBEx21
EADGBEx2314
5frEADGBE111113
7frEADGBE11x423
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
G/D
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
Bm/C
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Gmaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
G♯m7♭5
EADGBExx13
EADGBE2x341x
6frEADGBE222xx1
11frEADGBEx1324x
C♯7♭9
EADGBE11x234
4frEADGBEx1234
7frEADGBE3241x
9frEADGBExx1324
Dmaj7♯11
2frEADGBEx4231
EADGBE11xx3
5frEADGBE11x234
9frEADGBE111123
Cmaj7
3frEADGBE111324
EADGBE231
5frEADGBE111xx4
10frEADGBE333xx1
Fmaj7♯11
EADGBExx213
EADGBE12
5frEADGBE11x423
8frEADGBE11x234
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
A7sus4
EADGBEx23
5frEADGBE111134
7frEADGBEx1324
10frEADGBE11x234

Explore More

Just In Tune in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to B (ascending unison), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to F# (descending minor third), F# to B (ascending perfect fourth), B to G (descending major third), G to B (ascending major third), B to G (descending major third), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to C (descending whole step), C to F (ascending perfect fourth), F to E (descending half step), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to B by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 32 bars · Form: ABC

Chords: B7sus4, Bm7♭5, E7♭9, Am7, Am7/B♭, F♯m7, Bm, G/D, Bm/C, Gmaj7, G♯m7♭5, C♯7♭9, Dmaj7♯11, Cmaj7, Fmaj7♯11, Em7, A7sus4.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A