Do Re MiC D E

Just In Tune

Abercrombie John4/4medium-up-swing
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F♯maj7♯11
Amaj7♯11
C♯7sus4
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Chord Diagrams — Just In Tune in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯7sus4
4frEADGBE11x234
EADGBExx1324
6frEADGBE111134
11frEADGBE111134
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
G♯7♭9
5frEADGBE11xx23
EADGBE111x2
4frEADGBE11xx23
10frEADGBE11x234
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
C♯m7/B♭
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
D♯m
6frEADGBE111342
EADGBExx1342
EADGBExx3241
11frEADGBE111134
B/D
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
D♯m/C
6frEADGBE111342
EADGBExx1342
EADGBExx3241
11frEADGBE111134
Bmaj7
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
Cm7♭5
8frEADGBE111234
EADGBEx1324x
4frEADGBE11xx24
10frEADGBE333xx1
F7♭9
7frEADGBE11x234
EADGBE111423
EADGBE11xx23
11frEADGBE3241xx
F♯maj7♯11
6frEADGBE11x423
EADGBE111123
4frEADGBE11x234
9frEADGBE11x234
Emaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
Amaj7♯11
6frEADGBE11x34
EADGBEx2134
4frEADGBE111123
9frEADGBE11x423
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
C♯7sus4
6frEADGBExxx123
EADGBE11x234
4frEADGBE111134
9frEADGBE111134

Explore More

Just In Tune in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to B (descending major third), B to D# (ascending major third), D# to B (descending major third), B to C (ascending half step), C to F (ascending perfect fourth), F to F# (ascending half step), F# to E (descending whole step), E to A (ascending perfect fourth), A to G# (descending half step), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to D# by whole step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 32 bars · Form: ABC

Chords: D♯7sus4, D♯m7♭5, G♯7♭9, C♯m7, C♯m7/B♭, A♯m7, D♯m, B/D, D♯m/C, Bmaj7, Cm7♭5, F7♭9, F♯maj7♯11, Emaj7, Amaj7♯11, G♯m7, C♯7sus4.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#