Do Re MiC D E

Inner Urge

Henderson Joe4/4up-tempo-swing
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D♯maj7♯11
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C♯maj7♯11
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Bmaj7♯11
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Dmaj7♯11
Bmaj7♯11
Cmaj7♯11
Amaj7♯11

Chord Diagrams — Inner Urge in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em7♭5
7frEADGBEx1324x
EADGBE33312
8frEADGBE11xx24
11frEADGBE2x341x
D♯maj7♯11
6frEADGBE11x234
EADGBEx314x
3frEADGBE11x423
10frEADGBE111123
C♯maj7♯11
8frEADGBE111123
EADGBEx42311
4frEADGBE11x234
9frEADGBE111234
Bmaj7♯11
7frEADGBE111234
EADGBE11x234
6frEADGBE111123
11frEADGBE11x423
Dmaj7♯11
5frEADGBE11x234
EADGBE11xx3
2frEADGBEx4231
9frEADGBE111123
Cmaj7♯11
7frEADGBE111123
EADGBEx4231
3frEADGBE11x234
8frEADGBE111234
Amaj7♯11
6frEADGBE11x34
EADGBEx2134
4frEADGBE111123
9frEADGBE11x423
A♯maj7
6frEADGBE111423
EADGBE11x324
3frEADGBE111xx4
8frEADGBE11333x
Gmaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
Fmaj7
8frEADGBE111324
EADGBExx321
EADGBE111423
3frEADGBE11x333

Explore More

Inner Urge in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through E to D# (descending half step), D# to C# (descending whole step), C# to B (descending whole step), B to D (ascending minor third), D to C (descending whole step), C to A (descending minor third), A to A# (ascending half step), A# to G (descending minor third), G to G# (ascending half step), G# to F (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to E by half step.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

up-tempo-swing4/4 · 24 bars · Form: A

Chords: Em7♭5, D♯maj7♯11, C♯maj7♯11, Bmaj7♯11, Dmaj7♯11, Cmaj7♯11, Amaj7♯11, A♯maj7, Gmaj7, G♯7, Fmaj7.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F