Do Re MiC D E

Inner Urge

Henderson Joe4/4up-tempo-swing
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G♯maj7♯11
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F♯maj7♯11
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Emaj7♯11
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Gmaj7♯11
Emaj7♯11
Fmaj7♯11
Dmaj7♯11

Chord Diagrams — Inner Urge in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am7♭5
4frEADGBE2x341x
EADGBEx23x
5frEADGBE111234
7frEADGBE222xx1
G♯maj7♯11
4frEADGBE111234
EADGBE111123
8frEADGBE11x423
11frEADGBE11x234
F♯maj7♯11
4frEADGBE11x234
EADGBE111123
6frEADGBE11x423
9frEADGBE11x234
Emaj7♯11
4frEADGBE11x423
EADGBE11234
7frEADGBE11x234
11frEADGBE111123
Gmaj7♯11
3frEADGBE111234
EADGBE111133
7frEADGBE11x423
10frEADGBE11x234
Fmaj7♯11
EADGBExx213
EADGBE12
5frEADGBE11x423
8frEADGBE11x234
Dmaj7♯11
EADGBE11xx3
2frEADGBEx4231
5frEADGBE11x234
9frEADGBE111123
D♯maj7
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
8frEADGBE111xx4
Cmaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
A♯maj7
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x

Explore More

Inner Urge in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A to G# (descending half step), G# to F# (descending whole step), F# to E (descending whole step), E to G (ascending minor third), G to F (descending whole step), F to D (descending minor third), D to D# (ascending half step), D# to C (descending minor third), C to C# (ascending half step), C# to A# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to A by half step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

up-tempo-swing4/4 · 24 bars · Form: A

Chords: Am7♭5, G♯maj7♯11, F♯maj7♯11, Emaj7♯11, Gmaj7♯11, Fmaj7♯11, Dmaj7♯11, D♯maj7, Cmaj7, C♯7, A♯maj7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#